David Garrick, Richard III, V-5. David Garrick as Richard III is a painting dating from 1745 by the English artist William Hogarth.
The painting shows the actor and stage manager David Garrick in the role of Richard III in Shakespeare's play Richard III. It depicts a dramatic moment in the play on the eve of the Battle of Bosworth.
The king, who had been asleep in his tent on the battlefield, has just woken from a dream in which he has seen the ghosts of the opponents he had previously murdered. Hogarth was a friend of Garrick, who had gained a degree of fame through his portrayal of Richard III at the Drury Lane Theatre in London.
The painting shows the actor with fear and concern, one arm raised and with a shocked expression on his face. Hogarth, best remembered for his satirical prints on social themes, was also a skilled painter and portraitist.
This painting, much more than just a portrait, shows the subject at a key time in history, and also in theatrical pose. It falls between the commonly accepted genres of portraiture and historical painting. The pose used by Hogarth was similar to other that used for other portraits of actors, especially those by Zoffany. Having compared Hogarth's painting with those of Garrick by Reynolds, Gill Parry concludes that Hogarth had helped to establish a new subgenre within portraiture, that of the theatrical portrait. The pose adopted by the actor was described by Hogart
The painting shows the actor and stage manager David Garrick in the role of Richard III in Shakespeare's play Richard III. It depicts a dramatic moment in the play on the eve of the Battle of Bosworth.
The king, who had been asleep in his tent on the battlefield, has just woken from a dream in which he has seen the ghosts of the opponents he had previously murdered. Hogarth was a friend of Garrick, who had gained a degree of fame through his portrayal of Richard III at the Drury Lane Theatre in London.
The painting shows the actor with fear and concern, one arm raised and with a shocked expression on his face. Hogarth, best remembered for his satirical prints on social themes, was also a skilled painter and portraitist.
This painting, much more than just a portrait, shows the subject at a key time in history, and also in theatrical pose. It falls between the commonly accepted genres of portraiture and historical painting. The pose used by Hogarth was similar to other that used for other portraits of actors, especially those by Zoffany. Having compared Hogarth's painting with those of Garrick by Reynolds, Gill Parry concludes that Hogarth had helped to establish a new subgenre within portraiture, that of the theatrical portrait. The pose adopted by the actor was described by Hogart
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