Conversation Piece. A conversation piece is an informal group portrait, especially those painted in Britain in the 18th century, beginning in the 1720s.
They are distinguished by their portrayal of the group apparently engaged in genteel conversation or some activity, very often outdoors. Typically the group will be members of a family, but friends may be included, and some groups are of friends, members of a society or hunt, or some other grouping.
Often the paintings are relatively small, about the same size as a half-length portrait but in horizontal or landscape format; others are much larger. The genre was developed from 17th century portraiture in the Low Countries.
The compositions of merrymaking companies and garden parties painted by artists such as Dirck Hals, David Vinckbooms, Adriaen van de Venne and Willem Buytewech were an important influence on the genre. In addition, representations of elegant companies and balls by Hieronymus Janssens and the works of Peter Paul Rubens, in particular his Garden of Love, gave an impetus and direction to the development of the genre.
In this last work, Rubens showed how a garden could be used as a setting for amorous dalliance and courtship. In the Low Countries many group portraits were painted, both of family groups and groups such as Governors or Regents of institutions, or militia officers. Frans Hals, Rembrandt and other artists had adopted a v
They are distinguished by their portrayal of the group apparently engaged in genteel conversation or some activity, very often outdoors. Typically the group will be members of a family, but friends may be included, and some groups are of friends, members of a society or hunt, or some other grouping.
Often the paintings are relatively small, about the same size as a half-length portrait but in horizontal or landscape format; others are much larger. The genre was developed from 17th century portraiture in the Low Countries.
The compositions of merrymaking companies and garden parties painted by artists such as Dirck Hals, David Vinckbooms, Adriaen van de Venne and Willem Buytewech were an important influence on the genre. In addition, representations of elegant companies and balls by Hieronymus Janssens and the works of Peter Paul Rubens, in particular his Garden of Love, gave an impetus and direction to the development of the genre.
In this last work, Rubens showed how a garden could be used as a setting for amorous dalliance and courtship. In the Low Countries many group portraits were painted, both of family groups and groups such as Governors or Regents of institutions, or militia officers. Frans Hals, Rembrandt and other artists had adopted a v
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