Aristotle with Bust of Homer (1653). Oil on canvas. 144 x 137. Aristotle with a Bust of Homer, also known as Aristotle Contemplating a Bust of Homer, is an oil-on-canvas painting by Rembrandt that depicts Aristotle wearing a gold chain and contemplating a sculpted bust. It was created as a commission for Don Antonio Ruffo's collection. It was bought and sold to several collectors until it eventually ended up in the Metropolitan Museum of Art. The mysterious tone in the painting has led several scholars to different interpretations of Rembrandt's theme. Aristotle Contemplating a Bust of Homer was painted in 1653, as a commission from a Sicilian nobleman named Don Antonio Ruffo, who did not request any particular subject. Despite not knowing what Rembrandt would create, he was already eager to hang it in his Hall of Fame. Don Antonio planned to commission companion pieces for Rembrandt's painting from the Italian painter Guercino. Guercino decided that a cosmographer was the perfect match, since Rembrandt represented the study of mankind while the cosmographer represents the study of the heavens. However, Guercino's piece disappeared for no apparent reason. According to Charles Mee, perhaps Don Antonio did not think it was good enough. Rembrandt later created two paintings of Homer and Alexander the Great ten years after his completed work of Aristotle with a Bust of Homer. In 1815, it was sent to Sir Abraham Hume and he lent it to an exhibition at the British Institution in London. When Hume died, his descendants sold it to Rodolphe Kann in Paris. Kann had a huge collection of notable valuables, but after his death, Rembrandt's painting was sent to other American collectors. Eventually, it was purchased in 1961 for $2.3 million by the Metropolitan Museum of Art in New York City, USA. At the time this was the highest amount ever paid for any picture at public or private sale. This inspired the American artist Otis Kaye to critique the sale with his own painting Heart of the Matter which is held at the Art Institute of Chicago.During the renovation of the Rembrandt wing of the Metropolitan Museum, the painting was re-titled in November 2013 Aristotle with a Bust of Homer. There has been confusion over the identify of the man in the painting because Don Antonio Ruffo did not specifically request a subject for his commission. It has been thought to be Albertus Magnus, Tasso, Ariosto, Virgil and seventeenth-century Dutch poet Pieter Cornelisz Hooft. The identity of the subject was also challenged by Simon Schama in his book called Rembrandt's Eyes. Schama presents a substantial argument that it was the famous ancient Greek painter Apelles who is depicted in Rembrandt's painting. In 1969, Julius Held argued that it was Aristotle in the painting by analyzing his facial features, his clothes and the objects he holds. According to Held, Aristotle is known for his long hair and beard, fancy jewelry and extravagant dresses, which can be seen in other paintings that featured him between the sixteenth and seventeenth centuries in Europe. Held also connects Aristotle with the bust of Homer and Alexander's chain. Aristotle is known to be a commentator of Homer and Alexander the Great, which led Held to believe that it must be Aristotle in the painting According to Charles Mee, the main theme of Rembrandt's paintings is the idea of contemplation. The people in his paintings stare as if they are lost in thought, which makes this his most commonly used theme. To achieve this, he picked a white gown to make Aristotle look more dignified. Also, he painted a black apron since the color black represents melancholy. All of these elements helped create a feeling of deep contemplation, which is what the viewers could find relatable. During the 1650s, people were in a state of existentialism after science made new discoveries about the universe, so Rembrandt's theme of contemplation was a relatable subject. In Theodore Roussin, there is meaning to how Rembrandt draws Aristotle's eyes. The shadows that partially conceal Aristotle's eyes shows that he is lost in his thoughts. The eyes usually hint at a person's inner thoughts, but the use of shadows implies that there is a mystery to what Aristotle is feeling at that moment. Roussin also mentions Rembrandt's use of various brushstrokes and limited use of colors. These art choices are supposed to imply the different moods he felt while he was painting this piece. Aristotle, world-weary, looks at the bust of blind, humble Homer, on which he rests one of his hands. This has variously been interpreted as the man of sound methodical science deferring to art, or as the wealthy and famous philosopher, wearing the jeweled belt given to him by Alexander the Great, envying the life of the poor blind bard.