Frans Hals. Frans Hals the Elder was a Dutch Golden Age painter, normally of portraits, who lived and worked in Haarlem.
He is known for his loose painterly brushwork, and helping introduce a lively style of painting to Dutch art. Hals played an important role in the evolution of 17th-century group portraiture.
Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen and his second wife Adriaentje van Geertenryck. Like many, Hals' parents fled during the Fall of Antwerp from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life.
Hals studied under Flemish émigré Karel van Mander, whose Mannerist influence, however, is barely noticeable in Hals' work. In 1610, Hals became a member of the Haarlem Guild of Saint Luke, and he started to earn money as an art restorer for the city council.
He worked on their large art collection that Karel van Mander had described in his Schilderboeck published in Haarlem in 1604. The most notable of these were the works of Geertgen tot Sint Jans, Jan van Scorel, and Jan Mostaert that hung in the St John's Church in Haarlem. The restoration work was paid for by the city of Haarlem, since all Catholic religious art had been confiscated after the satisfactie van Haarlem had been reversed in 1578, which had formerly given Catholics e
He is known for his loose painterly brushwork, and helping introduce a lively style of painting to Dutch art. Hals played an important role in the evolution of 17th-century group portraiture.
Hals was born in 1582 or 1583 in Antwerp, then in the Spanish Netherlands, as the son of cloth merchant Franchois Fransz Hals van Mechelen and his second wife Adriaentje van Geertenryck. Like many, Hals' parents fled during the Fall of Antwerp from the south to Haarlem in the new Dutch Republic in the north, where he lived for the remainder of his life.
Hals studied under Flemish émigré Karel van Mander, whose Mannerist influence, however, is barely noticeable in Hals' work. In 1610, Hals became a member of the Haarlem Guild of Saint Luke, and he started to earn money as an art restorer for the city council.
He worked on their large art collection that Karel van Mander had described in his Schilderboeck published in Haarlem in 1604. The most notable of these were the works of Geertgen tot Sint Jans, Jan van Scorel, and Jan Mostaert that hung in the St John's Church in Haarlem. The restoration work was paid for by the city of Haarlem, since all Catholic religious art had been confiscated after the satisfactie van Haarlem had been reversed in 1578, which had formerly given Catholics e
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