Belvedere Torso (c0). Marble. 160. The Belvedere Torso is a fragmentary marble statue of a nude male, known to be in Rome from the 1430s, and signed prominently on the front of the base by Apollonios, son of Nestor, Athenian, who is unmentioned in ancient literature. It is now in the Museo Pio-Clementino of the Vatican Museums. It was once believed to be a 1st-century BC original, but is now believed to be a copy from the 1st century BC or AD of an older statue, which probably dated to the early 2nd century BC. The figure is portrayed seated on an animal hide, and its precise identification remains open to debate. Though traditionally identified as a Heracles seated on the skin of the Nemean lion, recent studies have identified the skin as that of a panther, occasioning other identifications. According to the Vatican Museum website, the most favoured hypothesis identifies it with Ajax, the son of Telamon, in the act of contemplating his suicide. The statue is documented in the collection of Cardinal Prospero Colonna at his family's palazzo in Monte Cavallo, Rome from 1433, not because it elicited admiration but because an antiquarian epigrapher, Ciriaco d'Ancona made note of its inscription; a generation later it began its career as a catalyst of the classical revival. Early drawings of the Torso were made by Amico Aspertini, c. 1500-03, by Martin van Heemskerck, c. 1532-36, by Hendrick Goltzius, c. 1590; the Belvedere Torso entered the visual repertory of connoisseurs and artists unable to go to Rome through the engraving of it by Giovanni Antonio da Brescia, c. 1515. Around 1500 it was in the possession of the sculptor Andrea Bregno. It was still in the Palazzo Colonna during the Sack of Rome in 1527, when it suffered some mutilation. Between 1523 and 1534, the sculpture was in the Vatican. The contorted pose of the torso and musculature were highly influential on Renaissance, Mannerist, and Baroque artists, including Michelangelo and Raphael. Michelangelo's admiration of the Torso was widely known in his lifetime, to the extent that the Torso gained the sobriquet, The School of Michelangelo.Legend has it that Pope Julius II requested that Michelangelo complete the statue fragment with arms, legs and a face. He respectfully declined, stating that it was too beautiful to be altered, and instead used it as the inspiration for several of the figures on the Sistine Chapel ceiling, including the Sibyls and Prophets along the borders, and both the risen Christ and St. Bartholomew in The Last Judgement. The Belvedere Torso remains one of the few ancient sculptures admired in the 17th and 18th centuries whose reputation has not suffered in modern times. How it entered the Vatican collections is uncertain, but by the mid-16th century it was installed in the Cortile del Belvedere, where it joined the Apollo Belvedere and other famous Roman sculptures. The Laocoon took two months from unearthing to Belvedere canonization, Leonard Barkan observed, the Torso took a hundred years. Several small bronze reductions of it were made during the 16th century, often restoring it as a seated Hercules. The Belvedere Torso visited the British Museum for their 2015 exhibition on the human body in ancient Greek art.