Frederick Richards Leyland. Frederick Richards Leyland was one of the largest British shipowners, running 25 steamships in the transatlantic trade.
He was also a major art collector, who commissioned works from several of the Pre-Raphaelite Brotherhood painters. Leyland served as an apprentice in the firm of John Bibby, Sons & Co, where he rose to become a partner.
In 1867, he took on the tenancy of Speke Hall, Liverpool, and in 1869 bought a house in London at 49 Princes Gate. At the end of 1872, when the Bibby partnership dissolved, he bought out his employers and changed the company name to the Leyland Line in 1873.
Under his direction the line expanded into transatlantic trade and by 1882 had 25 steamships. He retired from active business in 1888, leaving his son Frederick Dawson Leyland in charge.
Leyland's first commissions were to Dante Gabriel Rossetti and James Abbott McNeill Whistler, dating from 1864 and 1867. Leyland collected Renaissance art, as well as that of the Pre-Raphaelites, Whistler and Albert Moore. Leyland commissioned The Beguiling of Merlin, a painting by the Pre-Raphaelite painter Edward Burne-Jones, which was created between 1872 and 1877. The painting depicts a scene from Arthurian legend, the infatuation of Merlin with the Lady of the Lake, Nimue. Merlin is shown trapped, helpless in a hawthorn bush as Nimue reads from a book of spells. In the 1870s, Leyland commissioned Whist
He was also a major art collector, who commissioned works from several of the Pre-Raphaelite Brotherhood painters. Leyland served as an apprentice in the firm of John Bibby, Sons & Co, where he rose to become a partner.
In 1867, he took on the tenancy of Speke Hall, Liverpool, and in 1869 bought a house in London at 49 Princes Gate. At the end of 1872, when the Bibby partnership dissolved, he bought out his employers and changed the company name to the Leyland Line in 1873.
Under his direction the line expanded into transatlantic trade and by 1882 had 25 steamships. He retired from active business in 1888, leaving his son Frederick Dawson Leyland in charge.
Leyland's first commissions were to Dante Gabriel Rossetti and James Abbott McNeill Whistler, dating from 1864 and 1867. Leyland collected Renaissance art, as well as that of the Pre-Raphaelites, Whistler and Albert Moore. Leyland commissioned The Beguiling of Merlin, a painting by the Pre-Raphaelite painter Edward Burne-Jones, which was created between 1872 and 1877. The painting depicts a scene from Arthurian legend, the infatuation of Merlin with the Lady of the Lake, Nimue. Merlin is shown trapped, helpless in a hawthorn bush as Nimue reads from a book of spells. In the 1870s, Leyland commissioned Whist
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