Museo Soumaya. The Museo Soumaya is a private museum in Mexico City and a non-profit cultural institution with two museum buildings in Mexico City-Plaza Carso and Plaza Loreto. It has over 66,000 works from 30 centuries of art including sculptures from Pre-Hispanic Mesoamerica, 19th-and 20th-century Mexican art and an extensive repertoire of works by European old masters and masters of modern western art such as Auguste Rodin, Salvador Dalí, Bartolomé Esteban Murillo and Tintoretto. It is called one of the most complete collections of its kind. The museum is named after Soumaya Domit, who died in 1999, and was the wife of the founder of the museum Carlos Slim. The museum received an attendance of 1,095,000 in 2013, making it the most visited art museum in Mexico and the 56th in the world that year. In October 2015, the museum welcomed its five millionth visitor. The museum was designed by Fernando Romero's practice, fr·ee. The Museo Soumaya has a collection of over 66,000 pieces of art. The majority of the art consists of European works from the 15th to the 20th centuries. It also holds Mexican art, religious relics, and historical documents and coins. The museum contains the world's largest collection of pre-Hispanic and colonial era coins. The museum holds the largest collection of casts of sculptures by Auguste Rodin outside France, and the world's largest private collection of his art. Slim owns a total of 380 casts and works of art by Rodin. His late wife, whom he credits with teaching him much of what he knows about art, was an admirer of Rodin's work. In addition to Rodin, some notable European artists whose work is displayed include Salvador Dalí, Pablo Picasso, the circle of Leonardo da Vinci, Pierre-Auguste Renoir, Joan Miró, Vincent van Gogh, Henri Matisse, Claude Monet, Bartolomé Esteban Murillo, El Greco, Camille Claudel, and Tintoretto. The most valuable work of art in the collection is believed to be a version of Madonna of the Yarnwinder by a member of the circle of Leonardo da Vinci. Another version of the same painting has been valued at over E30 Million. Several Mexican artists are also featured, including Diego Rivera and Rufino Tamayo. The director of the museum has claimed that the total worth of the art it holds is over $700 million. The museum's director, Alfonso Miranda, has described its approach as not a copy of the Occident; what we have is a whole new version of things. The museum notably includes some types of European art that have not been permanently displayed in Latin America in the past. The museum collection includes many of the most well known European artists from the 15th to 20th centuries, in particular a large collection of sculptures by Rodin and Salvador Dali. Carlos Slim bought a large number of sculptures by Rodin in the 1980s and the value of many of these pieces has soared since. With a collection of over 100 Rodin works, some critics have claimed that Slim .is more of a bargain hunter than an aesthete. The original building of the Museo Soumaya, opened in 1994, is in the Plaza Loreto of San Ángel in the southern part of Mexico City. The new building in Plaza Carso in the Nuevo Polanco district was designed by the Mexican architect Fernando Romero and opened in 2011. The building is named after Lebanese-Mexican Soumaya Domit Gemayel who is the late wife of Lebanese-Mexican billionaire Carlos Slim Helo. Her relatives are also the important political family Gemayel in Lebanon and is a cousin of the former President's Bashir and Amine Gemayel. Built near the Magdalena river the museum's first building is on what was part of the encomienda of the conquistador Hernán Cortés in the 15th century. His son Martín Cortés installed a wheat watermill on the site which in the 19th century was converted to a paper mill. In 1905 a fire broke out in the facility and as a result, on 13 October 1905, its then owners sold to Alberto Lenz. In 1906 Lenz converted the mill to a factory named Fábrica de Papel de Loreto y Peña Pobre after which the current plaza is named. In the 1980s, another fire destroyed most of the facilities and operations were transferred to the state of Tlaxcala. This led to the Grupo Carso undertaking an urban conversion of the ruins to turn it into what is now the site of the museum-officially founded in 1994. In 1996 the museum received heritage recognition from ICOMOS.