Leighton House Museum. The Leighton House Museum is an art museum in the Holland Park area of the Royal Borough of Kensington and Chelsea in west London. The building was the London home of painter Frederic Leighton, 1st Baron Leighton, who commissioned the architect and designer George Aitchison to build him a combined home and studio noted for its incorporation of tiles and other elements purchased in the Near East to build a magnificent Qa'a. The resulting building, completed 1866-95, on the privately owned Ilchester Estate, is now Grade II* listed. It is noted for its elaborate Orientalist and aesthetic interiors. The museum has been open to the public since 1929. In 1958 the London County Council commemorated Leighton with a blue plaque at the museum. The museum was awarded the European Union Prize for Cultural Heritage / Europa Nostra Award in 2012. It is open daily except Tuesdays, and is a companion museum to 18 Stafford Terrace, another Victorian artist's home in Kensington. The house's pseudo-Islamic court has featured as a set in various film and television programs, such as Nicholas Nickleby, Brazil, and an episode of the drama series Spooks, as well as the music video for the songs Golden Brown by The Stranglers and Gold by Spandau Ballet. Aitchison designed the first part of the house in 1864, although Leighton was not granted a lease on the land until April 1866. Building commenced shortly afterwards, and the house, which cost E4500 equivalent to E434,605 in 2018, was ready for occupation by the end of the year. The building is of red Suffolk bricks with Caen Stone dressings in a restrained Classical style. The architect extended the building over 30 years; the first phase was only three windows wide. The main room was the first floor studio, facing north, originally 45 by 25 feet, with a large central window to provide plenty of light for painting. There was also a gallery at the east end, and a separate staircase for use by models. The house was extended to the east in 1869-70. Additionally, a major extension was made in 1877-79: the two-storey Arab Hall, built to house Leighton's collection of tiles collected during visits to the Middle East. According to Aitchison and Walter Crane, the design was based on the palace of La Zisa in Palermo. The 17th-century tiles are complemented by carved wooden lattice-work windows of the same period from Damascus. There are also large 16th-century Turkish tiles. The west wall has a wooden alcove with inset 14th-century tiles. The room also contains Victorian elements. The capitals of the smaller columns are by Sir Joseph Boehm, from Aitchison's designs. The capitals of the large columns, gilded and carved in the shape of birds, are by Randolph Caldecot. The mosaic frieze was designed by Walter Crane. The marble work was by George P. White. Elaborate decorative paintwork adorns the domed ceiling and in the centre of the floor there is a fountain. The tiles in the passage to the Arab Hall are by William de Morgan. In 1889 an additional winter studio was added to the building. The final addition by Aitchison was the top-lit picture gallery in 1895. After Leighton died in 1896, the contents of the house were sold, including at least one thousand of his own drawings, almost all of which were bought by the Fine Art Society. In 1927 Mrs Henry Perrin offered to pay for additional gallery space. The building was extended to the designs of Halsey Ricardo and the Perrin Galleries opened in 1929. This extension was in memory of Mrs Perrin's daughter Muriel Ida Perrin, an artist and sculptor who had trained at the Royal College of Art and worked for the catalogue section of the Aircraft Manufacturing Company during the First World War. The museum has on permanent display works of art by various members of the Pre-Raphaelite Brotherhood, including John Everett Millais, Edward Burne-Jones and George Frederick Watts, as well as 81 oil paintings by Leighton himself.