Dante and Virgil in Hell. The Barque of Dante, sometimes known as Dante and Virgil in Hell, is the first major painting by the French artist Eugène Delacroix, and one of the works signalling a shift in the character of narrative painting from Neo-Classicism towards the Romantic movement.
It was completed for the opening of the Salon of 1822 and currently hangs in the Musée du Louvre, Paris. The painting is loosely based on events taken from canto eight of Dante's Inferno.
A leaden, smoky mist and the blazing City of the Dead form the backdrop against which the poet Dante endures a fearful crossing of the River Styx. He is steadied by the learned poet of antiquity Virgil as they plough through waters heaving with tormented souls.
The arrangement of figures is for the most part compliant with the tenets of the cool, reflective Neo-Classicism that had dominated French painting for nearly four decades. There is a group of central upright figures, and a rational arrangement of subsidiary figures, all in horizontal planes, and observing studied poses.
The Barque of Dante was an artistically ambitious work, and although the composition is conventional, the painting in some important respects broke unmistakably free of the French Neo-Classical tradition. The smoke to the rear and the fierce movement of the garment in which the oarsman Phlegyas is wrapped indicate a strong wind, and most of the individuals in th
It was completed for the opening of the Salon of 1822 and currently hangs in the Musée du Louvre, Paris. The painting is loosely based on events taken from canto eight of Dante's Inferno.
A leaden, smoky mist and the blazing City of the Dead form the backdrop against which the poet Dante endures a fearful crossing of the River Styx. He is steadied by the learned poet of antiquity Virgil as they plough through waters heaving with tormented souls.
The arrangement of figures is for the most part compliant with the tenets of the cool, reflective Neo-Classicism that had dominated French painting for nearly four decades. There is a group of central upright figures, and a rational arrangement of subsidiary figures, all in horizontal planes, and observing studied poses.
The Barque of Dante was an artistically ambitious work, and although the composition is conventional, the painting in some important respects broke unmistakably free of the French Neo-Classical tradition. The smoke to the rear and the fierce movement of the garment in which the oarsman Phlegyas is wrapped indicate a strong wind, and most of the individuals in th
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