John Greenhill. John Greenhill was an English portrait painter, a pupil of Peter Lely, who approached his teacher in artistic excellence, but whose life was cut short by a dissolute lifestyle.
Greenhill was born at Salisbury, Wiltshire around 1644, the eldest son of John Greenhill, registrar of the diocese of Salisbury, and Penelope Champneys, daughter of Richard Champneys of Orchardleigh, Somerset. His father was connected through his brothers with the East India trade.
John's younger brother Henry became Governor of the Gold Coast and a commissioner of the Navy. Greenhill's first attempt was a portrait of his paternal uncle, James Abbott of Salisbury, whom he is said to have sketched surreptitiously, as the old man would not sit for him.
About 1662 he moved to London, and became a pupil of Sir Peter Lely. His progress was rapid, and he acquired some of Lely's skill and method.
He carefully studied Vandyck's portraits, and George Vertue commented that he copied so closely Vandyck's portrait of Thomas Killigrew and his dog that it was difficult to know which was the original. Vertue also says that his progress excited Lely's jealousy. Greenhill was at first industrious, and married early. But a taste for poetry and drama, and living in Covent Garden in the vicinity of the theatres, led him to associate with many members of the free-living theatrical world, and he fell into irregular habits. On
Greenhill was born at Salisbury, Wiltshire around 1644, the eldest son of John Greenhill, registrar of the diocese of Salisbury, and Penelope Champneys, daughter of Richard Champneys of Orchardleigh, Somerset. His father was connected through his brothers with the East India trade.
John's younger brother Henry became Governor of the Gold Coast and a commissioner of the Navy. Greenhill's first attempt was a portrait of his paternal uncle, James Abbott of Salisbury, whom he is said to have sketched surreptitiously, as the old man would not sit for him.
About 1662 he moved to London, and became a pupil of Sir Peter Lely. His progress was rapid, and he acquired some of Lely's skill and method.
He carefully studied Vandyck's portraits, and George Vertue commented that he copied so closely Vandyck's portrait of Thomas Killigrew and his dog that it was difficult to know which was the original. Vertue also says that his progress excited Lely's jealousy. Greenhill was at first industrious, and married early. But a taste for poetry and drama, and living in Covent Garden in the vicinity of the theatres, led him to associate with many members of the free-living theatrical world, and he fell into irregular habits. On
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