William Morris Gallery. The William Morris Gallery, opened by Prime Minister Clement Attlee in 1950, is the only public museum devoted to English Arts and Crafts designer and early socialist William Morris. The gallery is located at Walthamstow in Morris's family home from 1848 to 1856, the former Water House, a substantial Grade II* listed Georgian dwelling of about 1750 which is set in its own extensive grounds. The gallery underwent major redevelopment and reopened in August 2012; in 2013 it won the national prize for Museum of the Year. The gallery's collections illustrate Morris's life, work and influence. They include printed, woven and embroidered fabrics, rugs, carpets, wallpapers, furniture, stained glass and painted tiles designed by Morris himself and by Edward Burne-Jones, Philip Webb, Dante Gabriel Rossetti, Ford Madox Brown, and others who together founded the firm of Morris, Marshall, Faulkner & Company in 1861. Outstanding exhibits include: Morris's medieval-style helmet and sword, made as 'props' for the Pre-Raphaelite murals at the Oxford Union; the original design for the Trellis wallpaper; the Woodpecker tapestry woven at Morris's Merton Abbey workshops; the Beauty and the Beast and Labours of the Months tile panels; and The Works of Geoffrey Chaucer printed at Morris's Kelmscott Press. Other exhibits-such as the satchel in which Morris carried his Socialist pamphlets, or the coffee cup he used on his weekly visits to the Burne-Joneses-provide a more personal glimpse of his busy life. The gallery also holds a substantial collection of furniture, textiles, ceramics and glass by Morris's followers in the Arts and Crafts movement, which flourished from the 1880s to the 1920s. Among those represented are Arthur Heygate Mackmurdo and the Century Guild, William De Morgan, May Morris, Ernest Gimson, Sidney Barnsley, George Jack, C.F.A. Voysey, Harry Powell, Selwyn Image, Henry Holiday, and Christopher Whall. The collections of applied art are complemented by the Brangwyn Gift, comprising paintings, drawings and prints by Morris's former student Sir Frank Brangwyn as well as works by the Pre-Raphaelites and other Victorian and later artists. In 2007, the museum faced a closure threat after its opening hours were cut back as a cost-cutting exercise, breaking a stipulation of gifts by Sir Frank Brangwyn, that works should be on view for a minimum amount of time weekly. Campaigners against the cuts included former Culture Secretary Chris Smith. Subsequently a major redevelopment was carried out. The William Morris Gallery is owned and managed by Waltham Forest Council. In March 2009 the Heritage Lottery Fund awarded the gallery E80,000 to enable detailed proposals to be developed. In Autumn 2010 this proposal was successful in securing round-two funding of E1.523 million from the Heritage Lottery Fund, which was matched with E1.5 million from the London Borough of Waltham Forest. Further funding was secured from charitable trusts and foundations, notably the Friends of the William Morris Gallery, and through an ongoing public fundraising campaign. Redevelopment of the building and collections finally started in 2011 and after just over a year's closure, reopened on 2 August 2012. For the first month, Grayson Perry's fifteen-metre long Walthamstow Tapestry was on display. The redevelopment of Water House was designed by architects and exhibition designers Pringle Richards Sharratt. A new wing, designed to sit comfortably next to the early Georgian architecture of William Morris's house, succeeds in doing so by using similar details-handmade brick with sash windows and gauged brick arches-in a contrasting red brick. The extension houses a new gallery for temporary exhibitions, toilets and a cafe with a balcony overlooking the gardens to the rear. The permanent displays and educational areas were completely rearranged. The project also provides a learning and research centre on the top floor, and offices in the basement. New learning programmes and a dedicated website were developed alongside the physical changes. The gallery is also used as a learning facility with educational exhibitions from artists such as Eamon Everall of the stuckist movement. The gardens of the house, now known as Lloyd Park, notably include a moat which pre-dates the Georgian house. As part of the 2012 redevelopment, the disused Waltham Forest Theatre located inside the moat was demolished and made into part of the park. Parts of the park were newly landscaped. A skate park, a new cafe, gallery space, outdoor gym and artist studios in the adjoining Aveling Park were built as part of the same redevelopment project, replacing similar run-down facilities.