Palissy the Potter (1866). Oil on canvas. 108 x 133. Bernard Palissy was a French Huguenot potter, hydraulics engineer and craftsman, famous for having struggled for sixteen years to imitate Chinese porcelain. He is best known for his so-called rusticware, typically highly decorated large oval platters featuring small animals in relief among vegetation, the animals apparently often being moulded from casts taken of dead specimens. It is often difficult to distinguish examples from Palissy's own workshop and those of a number of followers who rapidly adopted his style. Imitations and adaptations of his style continued to be made in France until roughly 1800, and then revived considerably in the 19th century. In the 19th-century, Palissy's pottery became the inspiration for Mintons Ltd's Victorian majolica, which was exhibited at the London Great Exhibition of 1851 under the name Palissy ware. Palissy is known for his contributions to the natural sciences, and is famous for discovering principles of geology, hydrology and fossil formation. A Protestant, Palissy was imprisoned for his belief during the tumultuous French Wars of Religion and sentenced to death. He died of poor treatment in the Bastille in 1589. According to his friend Pierre de L'Estoile, Palissy was born in 1510. The location of Palissy's birth is not certain, but it is believed to be either Saintes, Perigord, Limousin or Agen. He lived most of his life in Saintonge. Palissy was born to a poor family, and while his education did not include Greek or Latin, it did instruct him in practical sciences including geometry and surveying. Early in his life, Palissy was commissioned by the crown to survey the salt marshes of Saintonge. In his memoirs, Palissy tells us that he was apprenticed to a glass-painter. At the end of his apprenticeship he spent a journeyman year acquiring fresh knowledge in many parts of France, including Guyenne, Languedoc, Provence, Dauphine, Burgundy and the Loire. He later traveled north to the Low Countries, perhaps even in the Rhine Provinces of Germany, and to Italy. Palissy returned to Saintonge where he married and had children. Other than what he tells us in his autobiography, namely that he worked as a portrait-painter, glass-painter and land-surveyor, we have little record of how he lived during the first years of his married life. In 1539 or 1540, Palissy was shown a white enamelled cup that astonished him, and he began a project to determine the nature of its production. The piece of fine white pottery may have derived from Faenza, Urbino, Saint-Porchaire or even China. In Palissy's time pottery covered with beautiful white tin-glaze painted with enamels was manufactured throughout Italy, Spain, Germany and the South of France. A man as travelled and as acute as Palissy, however, would have been acquainted with its appearance and properties. At the neighboring village of La Chapelle-des-Pots, Palissy mastered the rudiments of peasant pottery as it was practised in the 16th century. He may also have learned of manufacture of European tin-enamelled pottery. In his work Palissy produced ceramics using a great many ingredients including tin, lead, iron, steel, antimony, sapphire, copper, sand, saltwort, pearlash, and litharge. For nearly sixteen years Palissy labored to recreate the pottery that he had seen, working with the utmost diligency but never succeeding. At times he and his family were reduced to poverty; he burned his furniture and even, it is said, the floor boards of his house to feed the fires of his furnaces. Meanwhile, he endured the reproaches of his wife, who, with her little family clamouring for food, evidently regarded her husband's endeavors as little short of insanity. All these struggles and failures are faithfully recorded by Palissy himself in his autobiography. Palissy failed to discover the secrets of Chinese porcelain or white tin-glaze maiolica, but invented a style of rustic pottery, called Palissy ware, for which he is now famous. Analysis confirms that Palissy used coloured lead glazes, lead silicates with added metal oxides of copper, cobalt, manganese or iron with a small addition of tin to some of the glazes. The pottery is decorated with reliefs mimicking wildlife from Palissy's native Saintonge marshes, and includes fish, crustaceans, reptiles, ferns and flowers. In 1542, a peasant revolt against the gabelle salt tax in Saintonge brought royal forces, headed by the Duc de Montmorency, near Palissy's home.