Death of Chatterton. The Death of Chatterton is an oil painting on canvas, by the English Pre-Raphaelite painter Henry Wallis, now in Tate Britain, London.
Two smaller versions, sketches or replicas, are held by the Birmingham Museum and Art Gallery and the Yale Center for British Art. The Tate painting measures 62.2 centimetres by 93.3 centimetres, and was completed in 1856.
The subject of the painting was the 17-year-old English early Romantic poet Thomas Chatterton, shown dead after he poisoned himself with arsenic in 1770. Chatterton was considered a Romantic hero for many young and struggling artists in Wallis's day.
His method and style in Chatterton reveal the importance of his connection to the Pre-Raphaelite movement, seen in the vibrant colours and careful build-up of symbolic detail. He used a bold colour scheme with a contrasting palette and he exploited the fall of the natural light through the window of the garret to implement his much loved style at the time, chiaroscuro.
Wallis painted the work in a friend's chamber in Gray's Inn, with St Paul's Cathedral on the skyline visible through the window. It was probably a coincidence that this location was close to the garret in Brooke Street where Chatterton died 86 years before. The model used for the painting was the young George Meredith, a Victorian era English novelist and poet. The painting was Wallis's first exhibited work. It was
Two smaller versions, sketches or replicas, are held by the Birmingham Museum and Art Gallery and the Yale Center for British Art. The Tate painting measures 62.2 centimetres by 93.3 centimetres, and was completed in 1856.
The subject of the painting was the 17-year-old English early Romantic poet Thomas Chatterton, shown dead after he poisoned himself with arsenic in 1770. Chatterton was considered a Romantic hero for many young and struggling artists in Wallis's day.
His method and style in Chatterton reveal the importance of his connection to the Pre-Raphaelite movement, seen in the vibrant colours and careful build-up of symbolic detail. He used a bold colour scheme with a contrasting palette and he exploited the fall of the natural light through the window of the garret to implement his much loved style at the time, chiaroscuro.
Wallis painted the work in a friend's chamber in Gray's Inn, with St Paul's Cathedral on the skyline visible through the window. It was probably a coincidence that this location was close to the garret in Brooke Street where Chatterton died 86 years before. The model used for the painting was the young George Meredith, a Victorian era English novelist and poet. The painting was Wallis's first exhibited work. It was
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