George Vertue. George Vertue was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period.
Vertue was born in 1684 in St Martin-in-the-Fields, London, his father, perhaps a tailor, and mother are noted as 'Roman Catholic'. At the age of 13, he was apprenticed to a prominent heraldic engraver of French origin who became bankrupt and returned to France.
Vertue worked seven years under Michael Vandergucht, before operating independently. He was amongst the first members of Godfrey Kneller's London Academy of Painting, who had employed him to engrave portraits.
It was there that he became a pupil of Thomas Gibson, a leading portrait painter. Vertue had a deep interest in antiquarian research, and much of his labour was given to this subject.
From 1713 on, Vertue was a keen researcher on details of the history of British art, accumulating about forty volumes of notebooks. He was a member of the Rose and Crown Club, with William Hogarth, Peter Tillemans and other artists and connoisseurs, and kept some records of it. His travels to sites across England, with enthusiasts such as Edward Harley, Lord Coleraine and others, were recorded in Vertue's highly detailed drawings and notes. In 1717 he was appointed official engraver to the Society of Antiquaries, the same year as its formal foundation, and the only engraver to
Vertue was born in 1684 in St Martin-in-the-Fields, London, his father, perhaps a tailor, and mother are noted as 'Roman Catholic'. At the age of 13, he was apprenticed to a prominent heraldic engraver of French origin who became bankrupt and returned to France.
Vertue worked seven years under Michael Vandergucht, before operating independently. He was amongst the first members of Godfrey Kneller's London Academy of Painting, who had employed him to engrave portraits.
It was there that he became a pupil of Thomas Gibson, a leading portrait painter. Vertue had a deep interest in antiquarian research, and much of his labour was given to this subject.
From 1713 on, Vertue was a keen researcher on details of the history of British art, accumulating about forty volumes of notebooks. He was a member of the Rose and Crown Club, with William Hogarth, Peter Tillemans and other artists and connoisseurs, and kept some records of it. His travels to sites across England, with enthusiasts such as Edward Harley, Lord Coleraine and others, were recorded in Vertue's highly detailed drawings and notes. In 1717 he was appointed official engraver to the Society of Antiquaries, the same year as its formal foundation, and the only engraver to
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