Past and Present. Past and Present is the title usually given to the series of three oil paintings made by Augustus Egg in 1858, which are designed to be exhibited together as a triptych.
When first exhibited at Royal Academy in 1858 the paintings were untitled, but accompanied by a fictional quotation from a diary, August the 4th-Have just heard that B— has been dead more than a fortnight, so his poor children have now lost both parents. I hear she was seen on Friday last near the Strand, evidently without a place to lay her head.
What a fall hers has been!. The triptych depicts the discovery and disastrous consequences of a wife's adultery on a middle-class Victorian family.
The artist leaves the viewer to determine whether the woman should be condemned or pitied. The paintings reflected fears that public morality and family life were imperiled by the recent Matrimonial Causes Act 1857, which reformed the law of divorce by moving jurisdiction from the ecclesiastical courts to the civil court, and made divorce a realistic prospect for the middle classes.
The works-a visual morality tale based on a single moment-were influenced by William Holman Hunt's 1853 painting The Awakening Conscience. It is not certain how they acquired the title Past and Present, which is not known to have been used by the artist, and is first recorded in the auction catalogue for Egg's works after his death in 186
When first exhibited at Royal Academy in 1858 the paintings were untitled, but accompanied by a fictional quotation from a diary, August the 4th-Have just heard that B— has been dead more than a fortnight, so his poor children have now lost both parents. I hear she was seen on Friday last near the Strand, evidently without a place to lay her head.
What a fall hers has been!. The triptych depicts the discovery and disastrous consequences of a wife's adultery on a middle-class Victorian family.
The artist leaves the viewer to determine whether the woman should be condemned or pitied. The paintings reflected fears that public morality and family life were imperiled by the recent Matrimonial Causes Act 1857, which reformed the law of divorce by moving jurisdiction from the ecclesiastical courts to the civil court, and made divorce a realistic prospect for the middle classes.
The works-a visual morality tale based on a single moment-were influenced by William Holman Hunt's 1853 painting The Awakening Conscience. It is not certain how they acquired the title Past and Present, which is not known to have been used by the artist, and is first recorded in the auction catalogue for Egg's works after his death in 186
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