L'Allegro. L'Allegro is a pastoral poem by John Milton published in his 1645 Poems.
L'Allegro is invariably paired with the contrasting pastoral poem, Il Penseroso, which depicts a similar day spent in contemplation and thought. It is uncertain when L'Allegro and Il Penseroso were composed because they do not appear in Milton's Trinity College manuscript of poetry.
However, the settings found in the poem suggest that they were possibly composed shortly after Milton left Cambridge. The two poems were first published in Poems of Mr. John Milton both English and Latin, compos'd at several times dated 1645 but probably issued early in 1646.
In the collection, they served as a balance to each other and to his Latin poems, including Elegia 1 and Elegia 6. Milton follows the traditional classical hymn model when the narrator invokes Mirth/ Euphrosyne and her divine parentage: In Heav'n yclept Euphrosyne, And by men, heart-easing Mirth, Whom lovely Venus at a birth With two sister Graces more To ivy-crowned Bacchus bore The narrator continues by requesting Mirth to appear with: Jest and youthful Jollity, Quips and Cranks, and wanton Wiles, Nods, and Becks, and wreathed Smiles. Sport that wrinkled Care derides, And Laughter holding both his sides.
Later, the narrator describes how Mirth is connected to pastoral environments: Whilst the landscape round it measures, Russet lawns, and fallows grey, W
L'Allegro is invariably paired with the contrasting pastoral poem, Il Penseroso, which depicts a similar day spent in contemplation and thought. It is uncertain when L'Allegro and Il Penseroso were composed because they do not appear in Milton's Trinity College manuscript of poetry.
However, the settings found in the poem suggest that they were possibly composed shortly after Milton left Cambridge. The two poems were first published in Poems of Mr. John Milton both English and Latin, compos'd at several times dated 1645 but probably issued early in 1646.
In the collection, they served as a balance to each other and to his Latin poems, including Elegia 1 and Elegia 6. Milton follows the traditional classical hymn model when the narrator invokes Mirth/ Euphrosyne and her divine parentage: In Heav'n yclept Euphrosyne, And by men, heart-easing Mirth, Whom lovely Venus at a birth With two sister Graces more To ivy-crowned Bacchus bore The narrator continues by requesting Mirth to appear with: Jest and youthful Jollity, Quips and Cranks, and wanton Wiles, Nods, and Becks, and wreathed Smiles. Sport that wrinkled Care derides, And Laughter holding both his sides.
Later, the narrator describes how Mirth is connected to pastoral environments: Whilst the landscape round it measures, Russet lawns, and fallows grey, W
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