Giuseppe Vasi. Giuseppe Vasi was an Italian engraver and architect, best known for his vedute.
He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching, founded some years before by Pope Clement XII.
His views for the Calcografia include panoramas of the Trevi Fountain and of the Spanish Steps. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists.
The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna.
In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. He also created 15 tablet engravings of opera scenes designed by Vincenzo Re; some of which are part of the collection at the Victoria and Albert Museum in London. Vasi played a major role as a cartographer and as writer as well. As a cartographer his major work remains the giant map of Rome, published in the early 1760s bu
He was born in Corleone, Sicily and later, around 1736, moved to Rome. After a period of intense visits and studies, Vasi started to work as an engraver in the Calcografia Camerale, the main public institution of Rome devoted to engraving and etching, founded some years before by Pope Clement XII.
His views for the Calcografia include panoramas of the Trevi Fountain and of the Spanish Steps. Later on Vasi started to work on his own, producing and selling series of his views to a public made principally of grand tourists.
The first series of akin consists in the Vedute di Roma sul Tevere, i.e. Views of the Tiber, circa 1743 and later adapted to become part of the Magnificenze di Roma antica e moderna.
In these years Vasi also hosted in his workshop for a limited period of time the young Giovanni Battista Piranesi, his major pupil, who shaped here his technique as an engraver. From 1747 to 1761 Vasi published a series of ten volumes including circa 240 engravings of vedute of Rome. He also created 15 tablet engravings of opera scenes designed by Vincenzo Re; some of which are part of the collection at the Victoria and Albert Museum in London. Vasi played a major role as a cartographer and as writer as well. As a cartographer his major work remains the giant map of Rome, published in the early 1760s bu
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