Sodoma. Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi.
Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome. Giovanni Bazzi was born in Vercelli, Piedmont, in 1477.
His first master was the archaic Martino Spanzotti; he also appears to have been a student of the painter Giovenone. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and-though he is not known to have travelled to Milan-somehow absorbing the superficial mannerisms of Leonardo, he travelled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family, and began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting the career of Julius Caesar for Sigismondo Chigi at Palazzo Chigi.
Along with Pinturicchio, Sodoma was one of the first to practice in Siena the style of the High Renaissance. His first important works were frescoes in the Benedictine monastery of Monte Oliveto Maggiore, on the road from Siena to Rome, illustrating the life of St Benedict in continuation of the series that Luca Signorelli had begun in 1498.
Gaining fluency in the prevailing popular style of Pinturicchio, Sodoma
Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome. Giovanni Bazzi was born in Vercelli, Piedmont, in 1477.
His first master was the archaic Martino Spanzotti; he also appears to have been a student of the painter Giovenone. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and-though he is not known to have travelled to Milan-somehow absorbing the superficial mannerisms of Leonardo, he travelled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family, and began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting the career of Julius Caesar for Sigismondo Chigi at Palazzo Chigi.
Along with Pinturicchio, Sodoma was one of the first to practice in Siena the style of the High Renaissance. His first important works were frescoes in the Benedictine monastery of Monte Oliveto Maggiore, on the road from Siena to Rome, illustrating the life of St Benedict in continuation of the series that Luca Signorelli had begun in 1498.
Gaining fluency in the prevailing popular style of Pinturicchio, Sodoma
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