Virgin and Child with Two Angels. This is a painting of the Biblical subject of the Annunciation, by the Italian Renaissance artists Leonardo da Vinci and Andrea del Verrocchio, dating from circa 1472-1475 and housed in the Uffizi gallery of Florence, Italy.
The subject matter is drawn from the Gospel of Luke, Chapter 1, verses 26-39 and depicts the angel Gabriel, sent by God to announce to a virgin, Mary, that she would miraculously conceive and give birth to a son, to be named Jesus, and to be called the Son of God whose reign would never end. The subject was very popular for artworks and had been depicted many times in the art of Florence, including several examples by the Early Renaissance painter Fra Angelico.
The details of its commission and its early history remain obscure. In 1867, following Gustav Waagen methods, Baron Liphart identified this Annunciation, newly arrived in the Uffizi Gallery from a xonvent near Florence, as by the young Leonardo, still working in the studio of his master Verrocchio.
The painting has since been attributed to different artists, including Leonardo and Verrocchio's contemporary Domenico Ghirlandaio. It was more recently determined to be a collaboration between Leonardo and his master Verrocchio, with whom Leonardo collaborated on the Baptism of Jesus.
The angel holds a Madonna lily, a symbol of Mary's virginity and of the city of Florence. It is supposed that Leonardo ori
The subject matter is drawn from the Gospel of Luke, Chapter 1, verses 26-39 and depicts the angel Gabriel, sent by God to announce to a virgin, Mary, that she would miraculously conceive and give birth to a son, to be named Jesus, and to be called the Son of God whose reign would never end. The subject was very popular for artworks and had been depicted many times in the art of Florence, including several examples by the Early Renaissance painter Fra Angelico.
The details of its commission and its early history remain obscure. In 1867, following Gustav Waagen methods, Baron Liphart identified this Annunciation, newly arrived in the Uffizi Gallery from a xonvent near Florence, as by the young Leonardo, still working in the studio of his master Verrocchio.
The painting has since been attributed to different artists, including Leonardo and Verrocchio's contemporary Domenico Ghirlandaio. It was more recently determined to be a collaboration between Leonardo and his master Verrocchio, with whom Leonardo collaborated on the Baptism of Jesus.
The angel holds a Madonna lily, a symbol of Mary's virginity and of the city of Florence. It is supposed that Leonardo ori
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