Brera Madonna. The Brera Madonna is a painting by the Italian Renaissance master Piero della Francesca, executed in 1472-1474.
It is housed in the Pinacoteca di Brera of Milan, where it was deposited by Napoleon. The work, of a type known as a sacra conversazione, was commissioned by Federico III da Montefeltro, Duke of Urbino, to celebrate the birth of Federico's son, Guidobaldo.
According to other sources, it would celebrate his conquest of several castles in the Maremma. The painting was executed between 1472 and 1474; the terminus ante quem is established by the absence from Federico's figure of the insignia of the Order of the Garter, which he received in the latter year.
When it was rediscovered at the Brera at the end of the 19th century, the painting was so disfigured by darkened varnish it was attributed to Fra Carnevale, as Piero's use of oil technique was not yet known. Some sources suggest that the work was commissioned to celebrate the birth of Federico's son, Guidobaldo, who was born in 1472.
According to this hypothesis, the Child could represent Guidobaldo, while the Virgin may have the appearance of Battista Sforza, Federico's wife, who died in the same year and was buried at San Bernardino. The work represents a sacred conversation, with the Virgin enthroned and the sleeping Child in the middle, surrounded by a host of angels and saints. On the right low corner, kneeling and
It is housed in the Pinacoteca di Brera of Milan, where it was deposited by Napoleon. The work, of a type known as a sacra conversazione, was commissioned by Federico III da Montefeltro, Duke of Urbino, to celebrate the birth of Federico's son, Guidobaldo.
According to other sources, it would celebrate his conquest of several castles in the Maremma. The painting was executed between 1472 and 1474; the terminus ante quem is established by the absence from Federico's figure of the insignia of the Order of the Garter, which he received in the latter year.
When it was rediscovered at the Brera at the end of the 19th century, the painting was so disfigured by darkened varnish it was attributed to Fra Carnevale, as Piero's use of oil technique was not yet known. Some sources suggest that the work was commissioned to celebrate the birth of Federico's son, Guidobaldo, who was born in 1472.
According to this hypothesis, the Child could represent Guidobaldo, while the Virgin may have the appearance of Battista Sforza, Federico's wife, who died in the same year and was buried at San Bernardino. The work represents a sacred conversation, with the Virgin enthroned and the sleeping Child in the middle, surrounded by a host of angels and saints. On the right low corner, kneeling and
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