Expulsion. The Expulsion from the Garden of Eden is a fresco by the Italian Early Renaissance artist Masaccio.
The fresco is a single scene from the cycle painted around 1425 by Masaccio, Masolino and others on the walls of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence. It depicts the expulsion of Adam and Eve from the garden of Eden, from the biblical Book of Genesis chapter 3, albeit with a few differences from the canonical account.
Many possible sources of inspiration have been pointed out that Masaccio may have drawn from. For Adam, possible references include numerous sculptures of Marsyas and certain crucifix done by Donatello.
For Eve, art analysts usually point to different versions of Venus Pudica, such as Prudence by Giovanni Pisano. Three centuries after the fresco was painted, Cosimo III de' Medici, in line with contemporary ideas of decorum, ordered that fig leaves be added to conceal the genitals of the figures.
These were eventually removed in the 1980s when the painting was fully restored and cleaned. Masaccio provided a large inspiration to the more famous Renaissance painter Michelangelo, due to the fact that Michelangelo's teacher, Domenico Ghirlandaio, looked almost exclusively to him for inspiration for his religious scenes. Ghirlandaio also imitated various designs done by Masaccio. This influence is most visible in Michelangelo's The Fal
The fresco is a single scene from the cycle painted around 1425 by Masaccio, Masolino and others on the walls of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence. It depicts the expulsion of Adam and Eve from the garden of Eden, from the biblical Book of Genesis chapter 3, albeit with a few differences from the canonical account.
Many possible sources of inspiration have been pointed out that Masaccio may have drawn from. For Adam, possible references include numerous sculptures of Marsyas and certain crucifix done by Donatello.
For Eve, art analysts usually point to different versions of Venus Pudica, such as Prudence by Giovanni Pisano. Three centuries after the fresco was painted, Cosimo III de' Medici, in line with contemporary ideas of decorum, ordered that fig leaves be added to conceal the genitals of the figures.
These were eventually removed in the 1980s when the painting was fully restored and cleaned. Masaccio provided a large inspiration to the more famous Renaissance painter Michelangelo, due to the fact that Michelangelo's teacher, Domenico Ghirlandaio, looked almost exclusively to him for inspiration for his religious scenes. Ghirlandaio also imitated various designs done by Masaccio. This influence is most visible in Michelangelo's The Fal
Wikipedia ...