Death of Virgin. The Death of the Virgin is an oil on oak panel by the Flemish painter Hugo van der Goes.
Completed c 1472-80, it shows the Virgin Mary on her deathbed surrounded by the Twelve Apostles. The scene is borrowed from Jacobus de Voragine's thirteenth-century Legenda aurea which relates how the apostles were brought, at Mary's request, on clouds by angels to a house near Mount Zion to be with her in her final three days.
On the third day Jesus appeared above her bed in a halo of light surrounded by angels to accept her soul at the point when his name was finally mentioned. Three days later he reappeared to accept her body.
Death of the Virgin was almost certainly painted on commission and along with his Monforte and Portinari altarpieces is one of van der Goes most important works. It is likely one of his last paintings finished before he died.
According to art historian Till-Holger Borchert, the panel belongs to the most impressive and artistically mature achievements of Early Netherlandish painting. According to Lorne Campbell, the painting is van der Goes' most idiosyncratic masterpiece. Mary is shown lying in a blue robe with a white headdress on a timber bed with her head resting on a white pillow against a headboard. Her skin is thin and pallid, her hands clasped in prayer. She is surrounded by the twelve apostles who crowd around her bed. Peter is dressed in the white robes of
Completed c 1472-80, it shows the Virgin Mary on her deathbed surrounded by the Twelve Apostles. The scene is borrowed from Jacobus de Voragine's thirteenth-century Legenda aurea which relates how the apostles were brought, at Mary's request, on clouds by angels to a house near Mount Zion to be with her in her final three days.
On the third day Jesus appeared above her bed in a halo of light surrounded by angels to accept her soul at the point when his name was finally mentioned. Three days later he reappeared to accept her body.
Death of the Virgin was almost certainly painted on commission and along with his Monforte and Portinari altarpieces is one of van der Goes most important works. It is likely one of his last paintings finished before he died.
According to art historian Till-Holger Borchert, the panel belongs to the most impressive and artistically mature achievements of Early Netherlandish painting. According to Lorne Campbell, the painting is van der Goes' most idiosyncratic masterpiece. Mary is shown lying in a blue robe with a white headdress on a timber bed with her head resting on a white pillow against a headboard. Her skin is thin and pallid, her hands clasped in prayer. She is surrounded by the twelve apostles who crowd around her bed. Peter is dressed in the white robes of
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