Massacre of Innocents. The Massacre of the Innocents is the subject of two paintings by Peter Paul Rubens depicting the episode of the biblical Massacre of the Innocents of Bethlehem, as related in the Gospel of Matthew.
The first, measuring 142 x 182 cm, was painted after his return to his native Antwerp in 1608, following eight years spent in Italy. The first version painted by Rubens dates from around 1611-12.
At the end of the seventeenth century, the painting became part of the Liechtenstein Collection in Vienna, Austria, along with another Rubens painting, Samson and Delilah. The Forchondt brothers sold both paintings to Hans-Adam I, Prince of Liechtenstein whom they knew through his father Karl Eusebius, Prince of Liechtenstein around 1700.
The paintings were given the Liechtenstein family seal and are recorded in the collection until the 19th century, where drawings in 1815 show they hung side by side in the Garden Palace in Vienna. After being catalogued by Vincenzio Fanti as a Franciscus de Neve in 1767, the Massacre was attributed in an anonymous inventory of the Liechtenstein Collection dated 1780 to one of Rubens' assistants, Jan van den Hoecke, after Rubens.
Under that attribution it remained until it was sold to an Austrian family in 1920. It was subsequently loaned in 1923 to Stift Reichersberg, a monastery in northern Austria. In 2001, the painting was seen by George Gordon, an exper
The first, measuring 142 x 182 cm, was painted after his return to his native Antwerp in 1608, following eight years spent in Italy. The first version painted by Rubens dates from around 1611-12.
At the end of the seventeenth century, the painting became part of the Liechtenstein Collection in Vienna, Austria, along with another Rubens painting, Samson and Delilah. The Forchondt brothers sold both paintings to Hans-Adam I, Prince of Liechtenstein whom they knew through his father Karl Eusebius, Prince of Liechtenstein around 1700.
The paintings were given the Liechtenstein family seal and are recorded in the collection until the 19th century, where drawings in 1815 show they hung side by side in the Garden Palace in Vienna. After being catalogued by Vincenzio Fanti as a Franciscus de Neve in 1767, the Massacre was attributed in an anonymous inventory of the Liechtenstein Collection dated 1780 to one of Rubens' assistants, Jan van den Hoecke, after Rubens.
Under that attribution it remained until it was sold to an Austrian family in 1920. It was subsequently loaned in 1923 to Stift Reichersberg, a monastery in northern Austria. In 2001, the painting was seen by George Gordon, an exper
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