Moritz von Schwind. Moritz von Schwind was an Austrian painter, born in Vienna.
Schwind's genius was lyrical, he drew inspiration from chivalry, folklore, and the songs of the people. Schwind died in Pöcking in Bavaria, and was buried in the Alter Südfriedhof in Munich.
Moritz von Schwind received rudimentary training and spent a happy and carefree youth in Vienna. Among his companions was the composer Schubert, some of whose songs he illustrated.
In 1828, the year of Schubert's death, he moved to Munich, where he befriended the painter Schnorr and enjoyed the guidance of Cornelius, then director of the Academy. In 1834 he was commissioned to decorate King Ludwig's new palace with wall paintings illustrating the works of the poet Tieck.
He also found in the same place congenial sport for his fancy in a Kinderfries. He was often busy working on almanacs, and on illustrating Goethe and other writers through which he gained considerable recognition and employment. In the revival of art in Germany, Schwind held as his own the sphere of poetic fancy. In 1839 he was entrusted with the new Karlsruhe academy, itself an embodiment in fresco of ideas thrown out by Goethe. He decorated a villa in Leipzig with the story of Cupid and Psyche, and further justified his title of poet-painter with designs from the Niebelungenlied and Tasso's Gerusalemme for the walls of the castle of Hohenschwangau in Bavaria. Fro
Schwind's genius was lyrical, he drew inspiration from chivalry, folklore, and the songs of the people. Schwind died in Pöcking in Bavaria, and was buried in the Alter Südfriedhof in Munich.
Moritz von Schwind received rudimentary training and spent a happy and carefree youth in Vienna. Among his companions was the composer Schubert, some of whose songs he illustrated.
In 1828, the year of Schubert's death, he moved to Munich, where he befriended the painter Schnorr and enjoyed the guidance of Cornelius, then director of the Academy. In 1834 he was commissioned to decorate King Ludwig's new palace with wall paintings illustrating the works of the poet Tieck.
He also found in the same place congenial sport for his fancy in a Kinderfries. He was often busy working on almanacs, and on illustrating Goethe and other writers through which he gained considerable recognition and employment. In the revival of art in Germany, Schwind held as his own the sphere of poetic fancy. In 1839 he was entrusted with the new Karlsruhe academy, itself an embodiment in fresco of ideas thrown out by Goethe. He decorated a villa in Leipzig with the story of Cupid and Psyche, and further justified his title of poet-painter with designs from the Niebelungenlied and Tasso's Gerusalemme for the walls of the castle of Hohenschwangau in Bavaria. Fro
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