Julius Schnorr von Carolsfeld. Julius Schnorr von Carolsfeld was a German painter, chiefly of Biblical subjects.
As a young man he associated with the painters of the Nazarene movement who revived the florid Renaissance style in religious art. He is remembered for his extensive Picture Bible, and his designs for stained glass windows in cathedrals.
Schnorr was born in Leipzig, the son of Veit Hanns Schnorr von Carolsfeld, a draughtsman, engraver and painter, from whom he received his initial artistic education. his earliest known works being copies of the Neoclassical drawings of John Flaxman.
In 1811 he entered the Vienna Academy, from which Johann Friedrich Overbeck and others who rebelled against the old conventional style had been expelled about a year before. There he studied under Friedrich Heinrich Füger, and became friends with Joseph Anton Koch and Heinrich Olivier, both of whom would have an important influence on his style.Schnorr followed Overbeck and the other founders of the Nazarene movement to Rome in 1815.
This school of religious and romantic art tended to reject modern styles, attempting to revert to and revive the principles and practice of earlier periods. At the beginning of his time in Rome, Schnorr was particularly influenced by his close study of fifteenth-century Italian painting, especially the works of Fra Angelico. Soon however, he abandoned this refined simplicity, and began to
As a young man he associated with the painters of the Nazarene movement who revived the florid Renaissance style in religious art. He is remembered for his extensive Picture Bible, and his designs for stained glass windows in cathedrals.
Schnorr was born in Leipzig, the son of Veit Hanns Schnorr von Carolsfeld, a draughtsman, engraver and painter, from whom he received his initial artistic education. his earliest known works being copies of the Neoclassical drawings of John Flaxman.
In 1811 he entered the Vienna Academy, from which Johann Friedrich Overbeck and others who rebelled against the old conventional style had been expelled about a year before. There he studied under Friedrich Heinrich Füger, and became friends with Joseph Anton Koch and Heinrich Olivier, both of whom would have an important influence on his style.Schnorr followed Overbeck and the other founders of the Nazarene movement to Rome in 1815.
This school of religious and romantic art tended to reject modern styles, attempting to revert to and revive the principles and practice of earlier periods. At the beginning of his time in Rome, Schnorr was particularly influenced by his close study of fifteenth-century Italian painting, especially the works of Fra Angelico. Soon however, he abandoned this refined simplicity, and began to
Wikipedia ...