Emil Carlsen (1848 - 1932). Soren Emil Carlsen was an American Impressionist painter who emigrated to the United States from Denmark. He became known for his still lifes. Later in his career, Carlsen expanded his range of subjects to include landscapes and seascapes as well. During his long career, he won many of the most important honors in American art and was elected to membership in the National Academy of Design. For more than forty years he was also a respected teacher in Chicago, San Francisco and New York. Study in Grey, 1906, Dallas Museum of Art Emil Carlsen was born and raised in the Danish capital of Copenhagen. He came from an artistic family. His mother painted, and by some accounts, his cousin, who was an influence on him, later became the director of the Danish Royal Academy He studied architecture at the Royal Academy in Copenhagen for four years and then emigrated to the United States in 1872, settling in Chicago, United States. On his arrival in the United States, he changed his birthyear to 1852 or 1853, and the 1853 date has lived on in a number publications where he is mentioned. Interested in art, he first worked as an architect's assistant and studied with the Danish marine artist Lauritz Holst. However, Holst returned to Denmark, leaving his studio to Carlsen. He made rapid progress and was appointed the first teacher of drawing and painting at the Chicago Academy of Design, Carlsen sought more training and embarked for Paris in 1875, where he came under the influence of the French still life painter Jean-Baptiste-Simeon Chardin. When he returned to the United States, he set up a studio in New York and began to paint tonalist still lifes that were somewhat reminiscent of those of Chardin. However, selling work was still a struggle. After moving to Boston he had a short period of good sales. He returned to New York and again struggled to sell his paintings. In 1879 he held an auction to help ease his financial situation but ended up selling only a few paintings. This compelled him to give up his studio and take up engraving with which he found some success despite his frustration at not being able to paint full time. These often depicted copper pans, game, or flowers. The acceptance of a still life in the exhibition of the Pennsylvania Academy of Fine Arts in 1883 was the first noteworthy event in his career. In 1884 he returned to Europe, painting commissions of floral still lifes for the dealer, Theron J. Blakeslee, to support his studies. Eventually, he turned his back on the demand for pretty flowers. In 1885 Carlsen had two works accepted for the Paris Salon. Returning to New York he opened a studio on 57th Street. However, finding that it was still difficult to sell paintings he moved to San Francisco where between 1887 and 1889 he held a position as director of the California School of Design. He became friends with Arthur Mathews, who taught at the School of Design and was the leading figure in the Bay Area Arts and Crafts Movement. He then moved on to teach privately at the San Francisco Art Students League until 1891. During those years he influenced a number of young students, among them were M. Evelyn McCormick and Guy Rose, who both became leading Giverny Impressionists. In 1891, just prior to his departure, Carlsen created a firestorm by openly declaring in one of San Francisco's leading newspapers that art education was wasted on women who were inferior pupils without self-confidence and who were expected to become school teachers and marry. Arthur Mathews published a spirited rebuttal that provoked further debate. Carlsen moved back to the East from California in 1891, and began a long career of teaching in the East. He taught at the National Academy of Design, at the student-founded Art Student's League, and the Pennsylvania Academy of Fine Arts. Gradually, through his relationship with other New York-based painters and teachers such as John Twachtman and Julian Alden Weir, he became interested in painting landscapes and marines. Carlsen sketched in Connecticut in the early 1900s, visiting his friend Weir in Branchville, Fairfield County, Connecticut. This became the famous Weir Farm where many American Impressionists painted landscapes en plein-air. The Carlsens and their young son Dines spent several summers living in a cottage on the farm. The artists would paint during the day and socialize in the evening. Carlsen purchased a home in Falls Village, Connecticut in 1905 and the Carlsen family spent most of their time there when Carlsen did not have teaching commitments in New York. Falls Village is in the Berkshire Foothills and Carlsen painted the rolling foothills and the forests of the Berkshire Mountains.