Wifredo Lam. Wifredo Óscar de la Concepción Lam y Castilla, better known as Wifredo Lam, was a Cuban artist who sought to portray and revive the enduring Afro-Cuban spirit and culture.
Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists.
Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life. Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara, Cuba.
He was of mixed-race ancestry: his mother, the former Ana Serafina Castilla, was born to a Congolese former slave mother and a Cuban mulatto father and his father, Yam Lam, was a Chinese immigrant. In Sagua La Grande, Lam was surrounded by many people of African descent; his family, like many others, practiced Catholicism alongside their African traditions.
Through his godmother, Matonica Wilson, a Santería priestess locally celebrated as a healer and sorceress, he was exposed to rites of the African orishas. While Lam was never initiated into Santería, Palo Monte, or Abakuá Secret Society, he was familiar with the practices, as cultural part
Inspired by and in contact with some of the most renowned artists of the 20th century, including Pablo Picasso, Henri Matisse, Frida Kahlo and Diego Rivera, Lam melded his influences and created a unique style, which was ultimately characterized by the prominence of hybrid figures. This distinctive visual style of his also influences many artists.
Though he was predominantly a painter, he also worked with sculpture, ceramics and printmaking in his later life. Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara, Cuba.
He was of mixed-race ancestry: his mother, the former Ana Serafina Castilla, was born to a Congolese former slave mother and a Cuban mulatto father and his father, Yam Lam, was a Chinese immigrant. In Sagua La Grande, Lam was surrounded by many people of African descent; his family, like many others, practiced Catholicism alongside their African traditions.
Through his godmother, Matonica Wilson, a Santería priestess locally celebrated as a healer and sorceress, he was exposed to rites of the African orishas. While Lam was never initiated into Santería, Palo Monte, or Abakuá Secret Society, he was familiar with the practices, as cultural part
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