Georg Pencz. Georg Pencz was a German engraver, painter and printmaker.
Pencz was probably born in Westheim near Bad Windsheim / Franconia. He travelled to Nuremberg in 1523 and joined Albrecht Dürer's atelier.
Like Dürer, he visited Italy and was profoundly influenced by Venetian art; it is believed he worked with Marcantonio Raimondi. In 1525, he was imprisoned with the brothers Barthel Beham and Hans Sebald Beham, the so-called godless painters, for spreading the radical views of Thomas Müntzer by asserting disbelief in baptism, Christ, and transubstantiation.
The three were pardoned shortly afterwards and became part of the group known as the Little Masters because of their tiny, intricate, and influential prints. In Nuremberg, influenced by works he had seen in Italy, Pencz painted a number of trompe-l'oeil ceilings in the houses of patrician families; one, for which a drawing survives, showed workmen raising building materials on a hoist, against an open sky, to create the illusion that the room was still under construction.
Around 1539, Pencz briefly returned to Italy, visiting Rome for the first time, returning to Nuremberg in 1540, where he became the city painter and earned his greatest success as a portraitist. As an engraver, he ranks among the best of the German Little Masters. Notable prints include Six Triumphs of Petrarch and Life of Christ. The best of his paintings are por
Pencz was probably born in Westheim near Bad Windsheim / Franconia. He travelled to Nuremberg in 1523 and joined Albrecht Dürer's atelier.
Like Dürer, he visited Italy and was profoundly influenced by Venetian art; it is believed he worked with Marcantonio Raimondi. In 1525, he was imprisoned with the brothers Barthel Beham and Hans Sebald Beham, the so-called godless painters, for spreading the radical views of Thomas Müntzer by asserting disbelief in baptism, Christ, and transubstantiation.
The three were pardoned shortly afterwards and became part of the group known as the Little Masters because of their tiny, intricate, and influential prints. In Nuremberg, influenced by works he had seen in Italy, Pencz painted a number of trompe-l'oeil ceilings in the houses of patrician families; one, for which a drawing survives, showed workmen raising building materials on a hoist, against an open sky, to create the illusion that the room was still under construction.
Around 1539, Pencz briefly returned to Italy, visiting Rome for the first time, returning to Nuremberg in 1540, where he became the city painter and earned his greatest success as a portraitist. As an engraver, he ranks among the best of the German Little Masters. Notable prints include Six Triumphs of Petrarch and Life of Christ. The best of his paintings are por
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