Fidelia Bridges (1882 - 1923). Fidelia Bridges was an American artist of the late 19th century. She was known for delicately detailed paintings that captured flowers, plants, and birds in their natural settings. Although she began as an oil painter, she later gained a reputation as an expert in watercolor painting. She was the only woman among a group of seven artists in the early years of the American Watercolor Society. Some of her work was published as illustrations in books and magazines and on greeting cards. Fidelia Bridges was born in Salem, Massachusetts, to Henry Gardiner Bridges, a sea captain, and Eliza Bridges. She was orphaned at the age of fifteen when her mother and father died within months of each other. In 1849, Henry Bridges fell ill and was taken to Portuguese Macau, where he died in December. Eliza died in March 1850, just three hours before the news of her husband's death arrived in Salem. The couple left four children, Eliza, Elizabeth, Fidelia, and Henry. They were living at 100 Essex Street, now known as the Fidelia Bridges Guest House, but moved to a more affordable home on the same street after their parents' death. Fidelia's older sister Eliza was a schoolteacher and became the guardian of her younger siblings. Fidelia took up drawing during her convalescence from an illness. She became a friend of the artist and art school owner Anne Whitney. After she regained her health, Fidelia became a live-in mother's helper in the household of William Augustus Brown, a Quaker who had been a Salem ship-holder before moving to Brooklyn, New York, where he became a successful wholesale produce merchant. The Bridges moved to Brooklyn, too, and in 1854 Eliza established a school there. Eliza died in 1856 of tuberculosis, and Fidelia and her older sister Elizabeth then ran the school. Bridges, however, soon abandoned teaching in order to concentrate on her drawing lessons. In 1860, after being inspired by her friend Anne Whitney, she enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia with William Trost Richards and became very close to his family. By 1862, she had her own studio in downtown Philadelphia. Having remained friends with the Richards family, she accompanied them to Lake George and Lehigh Valley of Pennsylvania and New Jersey on sketching trips. He was a Pre-Raphaelite advocate and her style was greatly influenced by him. Richards said of her work that it was the unaffected expression of a great joy in the beauty of nature, a joy which is after all the fountain of all that is finest in art; and one could not see the rich treasures of Miss Bridge's portfolios of studies without feeling this. Through Richards, Bridges met museum curators and patrons of the arts, several of whom became collectors of her paintings. She exhibited her works at the Pennsylvania Academy of Fine Arts. In 1865, Bridges left Philadelphia and established a studio on the top floor of the Browns' house in Brooklyn, where Anne Whitney also worked and lived with her companion Adeline Manning, a painter from Boston. After the American Civil War she studied for a year in Rome and lived and traveled with Adeline Manning and Anne Whitney. She maintained her style of intricate botanical works in oil. Bridges returned to the United States in the fall of 1868. Her works were then exhibited at the National Academy of Design. In 1871, watercolor was a respected medium and she quickly gained popularity with her watercolor depictions of flowers and birds. Her pictures, however, were not mere photographic reproductions of what she saw; with the imagination of the true artist, she infused her subjects with a deep poetic meaning. Bridges combined the temper of romanticism with the technique of a scientist, according to Frederick Sharf's biography of her. Bridges was considered a specialist in her field and focused on the beauty and serenity of microscopic details in nature. One of her favored sites was Stratford, Connecticut, where she enjoyed the wildflowers and other subject matter in the area's flats and meadows. The birds found in the green salt grass lined banks of the Housatonic River were also of interest. She made some of her best paintings of the scenes from her summer visits from 1871 to 1888 with Oliver Ingraham Lay and his family. Paintings such as Daisies and Clover and Thrush in Wild Flowers are examples of her works during this period. She lived in Stratford, Connecticut by 1890 when she ministered to the ailing Lay who died that year. She was elected as a National Academy of Design associate in 1873 and one year later became the only woman of seven artists in the American Society of Painters in Watercolor. She exhibited her work sporadically from 1863 until 1908. In 1876, she exhibited three paintings at the Philadelphia Centennial Exposition.