Frederick Mackenzie (1788 - 1854). Frederick Mackenzie was a British watercolourist and architectural draughtsman. Born in 1787 or 1788, he was the son of Thomas Mackenzie, linendraper, and a pupil of John Adey Repton the architect. He was employed in making architectural and topographical drawings for the works of John Britton and others, and this set the direction for his career. His style was quite close to that of Auguste Pugin, with whom he worked; and they were both under the influence of John Nash. In 1804 Mackenzie began to exhibit at the Royal Academy, and contributed eleven drawings between that year and 1828. He contributed to the Society of Painters in Water-colours from 1813, becoming an associate in 1822, and a full member the following year. From 30 November 1831 till his death he was treasurer to the society. In later life Mackenzie was no longer commissioned to illustrate books. He died on 25 April 1854, of disease of the heart and was buried on the western side of Highgate Cemetery. His grave no longer has a headstone or any memorial. His remaining works were sold at Sotheby's in March 1855. Mackenzie drew architecture almost exclusively. Of 88 drawings which formed his contributions to the exhibitions of the Water-colour Society during his membership, nearly all were English in subject. On his own account, Mackenzie published Etchings of Landscapes for the Use of Students, Architectural Antiquities of St. Stephen's Chapel, Westminster and in 1846 Observations on the Construction of the Roof of King's College Chapel, Cambridge. The bulk of his work was in the following books: Britton's Beauties of England and Wales;. Architectural Antiquities of Great Britain;. History of the Abbey Church at Westminster;. Britton's Cathedral Antiquities;. Robert Havell's Noblemen's and Gentlemen's Seats;. Histories of Oxford and Cambridge;. Colleges of Winchester, Eton, etc., 1816;. Abbeys and Castles in Yorkshire;. Pugin's Specimens of Gothic Architecture, 1821;. Principal Antiquities of Oxfordshire, Oxford, 1823;. Memorials of Oxford, by James Ingram, 1837;. Charles Heath's Picturesque Annual, 1839;. Memorials of Cambridge, by Thomas Wright and Harry Longueville Jones, 1841;. The Churches of London, published by Charles Tilt. Among his drawings were The King's Coronation and The Principal Room of the Original National Gallery, formerly the Residence of John Julius Angerstein, Esq., lately pulled down. The latter was contributed to the Water-colour Society's exhibition in 1836, and went to the South Kensington Museum, together with two drawings of Lincoln Cathedral and one of Thornton Abbey, Lincolnshire. Sepia drawing of Antwerp Cathedral went to the British Museum. In 1842 Mackenzie designed the slab which was placed over the grave of George Barret the younger. Mackenzie married in 1843 Mrs. Hine, a widow, the daughter of John Carpenter, a farmer; but his married life was subject to money troubles. He died leaving his wife and invalid daughter dependent on charity. The Water-colour Society presented them with E110, and a subscription was raised among his friends to purchase an annuity for their benefit.