James Figg. James Figg was an English prizefighter and instructor in historical European martial arts.
While Figg primarily fought with weapons including short swords, quarterstaffs, and cudgels, he also played an important role in boxing's development. In 1719, he opened a London fighting venue that could seat more than 1,000 spectators and was one of the first of its kind.
In 1725, he organized and promoted modern history's first international boxing match at his amphitheatre. He claimed to have won more than 200 matches during his career, and was posthumously considered to be the first boxing champion.
Little is known about Figg's early life, except that he came to London from Thame, Oxfordshire. In London, Figg gained a reputation as a skilled fighter and set up a business training students in combat with weapons and fists.
He promoted fights with both male and female combatants at his venue as well as bouts of animal blood sport. He also set up outdoor boxing booths and rings at fairs and in fields and parks around London. By the end of his career in the early 1730s, Figg had fought in front of European royalty, including George II and the future Holy Roman Emperor Francis I, as well as aristocrats, politicians, writers, artists, and actors, and was one of the better-known personages in London. Among depictions of Figg in art and literature, art historians most discuss him for his fri
While Figg primarily fought with weapons including short swords, quarterstaffs, and cudgels, he also played an important role in boxing's development. In 1719, he opened a London fighting venue that could seat more than 1,000 spectators and was one of the first of its kind.
In 1725, he organized and promoted modern history's first international boxing match at his amphitheatre. He claimed to have won more than 200 matches during his career, and was posthumously considered to be the first boxing champion.
Little is known about Figg's early life, except that he came to London from Thame, Oxfordshire. In London, Figg gained a reputation as a skilled fighter and set up a business training students in combat with weapons and fists.
He promoted fights with both male and female combatants at his venue as well as bouts of animal blood sport. He also set up outdoor boxing booths and rings at fairs and in fields and parks around London. By the end of his career in the early 1730s, Figg had fought in front of European royalty, including George II and the future Holy Roman Emperor Francis I, as well as aristocrats, politicians, writers, artists, and actors, and was one of the better-known personages in London. Among depictions of Figg in art and literature, art historians most discuss him for his fri
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