Gaspare Traversi. Gaspare Traversi was an Italian Rococo painter best known for his genre works.
Active mostly in his native city of Naples, he also painted throughout Italy, including a stay in Parma. Gaspare appears to have been born to a Genoese merchant living in Naples.
He appears to have been baptized on February 15, 1722, in the church of Santa Maria dell'Incoronatella in Naples under the name Gasparro Giovanni Battista Pascale Traversa. He trained under Francesco Solimena.
He was a contemporary of other Solimena pupils, Giuseppe Bonito, also a genre painter, and Francesco de Mura. He was active mainly between 1732 and 1769.
Traversi can be described as a Neapolitan Hogarth, Steen or Longhi, working in a Caravaggist style. Traversi's satirical paintings typically depict animated groups of bourgeois protagonists that seem compressed physically into an indoor pictorial space that can barely contain them. Even his religious canvases have foreshortened crowding. Facial expressions are lively and varied; some of the characters, often children, stare at the viewer. Women are often situated in either a foolish or ironic situation, or engage in a pulchritudinous talent, while men leer or participate with other intentions in mind. One could view these as elaborations of moralistic tales, such as Caravaggio's The Fortune Teller, a topic which Traversi also depicted, but Traversi's living rooms are
Active mostly in his native city of Naples, he also painted throughout Italy, including a stay in Parma. Gaspare appears to have been born to a Genoese merchant living in Naples.
He appears to have been baptized on February 15, 1722, in the church of Santa Maria dell'Incoronatella in Naples under the name Gasparro Giovanni Battista Pascale Traversa. He trained under Francesco Solimena.
He was a contemporary of other Solimena pupils, Giuseppe Bonito, also a genre painter, and Francesco de Mura. He was active mainly between 1732 and 1769.
Traversi can be described as a Neapolitan Hogarth, Steen or Longhi, working in a Caravaggist style. Traversi's satirical paintings typically depict animated groups of bourgeois protagonists that seem compressed physically into an indoor pictorial space that can barely contain them. Even his religious canvases have foreshortened crowding. Facial expressions are lively and varied; some of the characters, often children, stare at the viewer. Women are often situated in either a foolish or ironic situation, or engage in a pulchritudinous talent, while men leer or participate with other intentions in mind. One could view these as elaborations of moralistic tales, such as Caravaggio's The Fortune Teller, a topic which Traversi also depicted, but Traversi's living rooms are
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