Hercules/Herakles. Hercules is a Roman hero and god. He was the Roman equivalent of the Greek divine hero Heracles, who was the son of Zeus and the mortal Alcmene. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in popular culture, Hercules is more commonly used than Heracles as the name of the hero. Hercules was a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Hercules is known for his many adventures, which took him to the far reaches of the Greco-Roman world. One cycle of these adventures became canonical as the Twelve Labours, but the list has variations. One traditional order of the labours is found in the Bibliotheca as follows: Slay the Nemean Lion. Slay the nine-headed Lernaean Hydra. Capture the Golden Hind of Artemis. Capture the Erymanthian Boar. Clean the Augean stables in a single day. Slay the Stymphalian Birds. Capture the Cretan Bull. Steal the Mares of Diomedes. Obtain the girdle of Hippolyta, Queen of the Amazons. Obtain the cattle of the monster Geryon. Steal the apples of the Hesperides. Capture and bring back Cerberus. Hercules had a greater number of deeds on the side that have been popular subjects for art, including: Side adventures. The Latin name Hercules was borrowed through Etruscan, where it is represented variously as Heracle, Hercle, and other forms. Hercules was a favorite subject for Etruscan art, and appears often on bronze mirrors. The Etruscan form Herceler derives from the Greek Heracles via syncope. A mild oath invoking Hercules was a common interjection in Classical Latin. Hercules had a number of myths that were distinctly Roman. One of these is Hercules' defeat of Cacus, who was terrorizing the countryside of Rome. The hero was associated with the Aventine Hill through his son Aventinus. Mark Antony considered him a personal patron god, as did the emperor Commodus. Hercules received various forms of religious veneration, including as a deity concerned with children and childbirth, in part because of myths about his precocious infancy, and in part because he fathered countless children. Roman brides wore a special belt tied with the knot of Hercules, which was supposed to be hard to untie. The comic playwright Plautus presents the myth of Hercules' conception as a sex comedy in his play Amphitryon; Seneca wrote the tragedy Hercules Furens about his bout with madness. During the Roman Imperial era, Hercules was worshipped locally from Hispania through Gaul. Tacitus records a special affinity of the Germanic peoples for Hercules. They have also those songs of theirs, by the recital of this barditus as they call it, they rouse their courage, while from the note they augur the result of the approaching conflict. For, as their line shouts, they inspire or feel alarm. In the 5th to 7th centuries, during the Migration Period, the amulet is theorized to have rapidly spread from the Elbe Germanic area across Europe. These Germanic Donar's Clubs were made from deer antler, bone or wood, more rarely also from bronze or precious metals. They are found exclusively in female graves, apparently worn either as a belt pendant, or as an ear pendant. The amulet type is replaced by the Viking Age Thor's hammer pendants in the course of the Christianization of Scandinavia from the 8th to 9th century.