George Henry Bogert. George Henry Bogert was an American landscape painter.
George Henry Bogert was born in New York City, the son of Henry Bogert and Helen Anderson Evans. His father was a paper manufacturer, and a noted collector of coins, medals, and writings on numismatics.
As a student at the National Academy of Design and later under Thomas Eakins in New York City, he early on displayed the talent that later brought him fame. In 1884 he went to France and painted landscapes for a time at Grez, near the forest of Fontainebleau, afterwards going to Paris, where he studied under Colin, Aimé Morot, and Pierre Puvis de Chavannes.
Four years later he returned to New York and thereafter until his death was a frequent exhibitor at the Society of American Artists, the National Academy of Design, and elsewhere. In 1899, he was elected into the National Academy of Design as an Associate member.
It was in 1901 that his landscape work began to attract attention. At the outset his achievements were tentative, but evidenced sincerity and promise. Within a few years it was evident that the artist was rapidly approaching the completeness that marks reflective work, and his paintings testified to the maturity of his style. In his summer journeys abroad he painted at Étaples on the French coast with Eugène Boudin and in the Netherlands and on the Isle of Wight. In these surroundings he found sympathetic materia
George Henry Bogert was born in New York City, the son of Henry Bogert and Helen Anderson Evans. His father was a paper manufacturer, and a noted collector of coins, medals, and writings on numismatics.
As a student at the National Academy of Design and later under Thomas Eakins in New York City, he early on displayed the talent that later brought him fame. In 1884 he went to France and painted landscapes for a time at Grez, near the forest of Fontainebleau, afterwards going to Paris, where he studied under Colin, Aimé Morot, and Pierre Puvis de Chavannes.
Four years later he returned to New York and thereafter until his death was a frequent exhibitor at the Society of American Artists, the National Academy of Design, and elsewhere. In 1899, he was elected into the National Academy of Design as an Associate member.
It was in 1901 that his landscape work began to attract attention. At the outset his achievements were tentative, but evidenced sincerity and promise. Within a few years it was evident that the artist was rapidly approaching the completeness that marks reflective work, and his paintings testified to the maturity of his style. In his summer journeys abroad he painted at Étaples on the French coast with Eugène Boudin and in the Netherlands and on the Isle of Wight. In these surroundings he found sympathetic materia
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