Francis Bicknell Carpenter (1830 - 1900). Francis Bicknell Carpenter was an American painter born in Homer, New York. Carpenter is best known for his painting First Reading of the Emancipation Proclamation of President Lincoln, which is hanging in the United States Capitol. Carpenter resided with President Lincoln at the White House and in 1866 published his one volume memoir Six Months at the White House with Abraham Lincoln. Carpenter was a descendant of the New England Rehoboth Carpenter Family. Carpenter was born to Asaph Harmon and Almira Clark. He was one of nine children. On January 6, 1853 Francis married Augusta Herrick Prentiss. Francis and Augusta had the following children: Florence Trumbell Carpenter was born on March 10, 1854 in Homer, Cortland County, NY. She died on December 30, 1899. She is number 6550 in the Carpenter Memorial on page 645. Florence married Albert Chester Ives on May 12, 1877 in New York. Albert was born about 1854 in Buffalo, NY. Herbert Sanford Carpenter was born on May 22, 1862 in Homer, Cortland, NY. He is number 6551 in the Carpenter Memorial on page 645. Family on page 654. Herbert married Cora Anderson on February 13, 1894 in NY. Cora was born in Louisville, KY in 1863. She was active in the women's suffrage movement, marching in NYC suffrage demonstrations as a flagbearer from 1913-1917. Herbert died in 1926; Cora lived until 1960. In 1844, after showing his father a painting of his mother that the former viewed as a success, Carpenter was allowed to go to Syracuse, New York for six months to study under Sanford Thayer. In 1848, at age 18, he was awarded a purchase prize by the American Art-Union. By the age of twenty-one, Carpenter established a studio in New York City. Carpenter was elected to the National Academy of Design as an associate member in 1852. In 1852, Carpenter was commissioned to paint a portrait of President Millard Fillmore, a fellow upstate New Yorker born in Cayuga County. Commissions followed for portraits of Presidents Franklin Pierce and John Tyler, and other mid-19th century notables, including the clergyman Henry Ward Beecher; newspaper editor Horace Greeley; Ezra Cornell, founder of Cornell University; James Russell Lowell, poet; and John C. Fremont, the first Republican presidential candidate. Main article: First Reading of the Emancipation Proclamation of President Lincoln According to his memoir, Six Months at the White House, Carpenter was deeply moved by Abraham Lincoln's Emancipation Proclamation, calling it an act unparalleled for moral grandeur in the history of mankind. Carpenter felt an intense desire to do something expressive of. the great moral issue involved in the war. Carpenter, having formulated his idea for the subject of the painting and outlined its composition, fortuitously met Frederick A. Lane, a friend who recently had earned a large amount of money. Bankrolled by Lane, and through the influence of Samuel Sinclair of the New York Tribune and Representative Schuyler Colfax of Indiana, Carpenter gained Lincoln's assent to travel to Washington and work with him on the painting. Carpenter met with the President on February 6, 1864, and then began work. Carpenter began with many sketches of Cabinet members and of Lincoln himself, working from life, as Lincoln worked, and from photographs taken by Mathew Brady of Lincoln and members of his Cabinet. Carpenter was given free access to Lincoln's White House office for the former purpose, and the State Dining Room was given him for a studio. On July 12, 1864, Lincoln led his cabinet into the State Dining Room to view the completed work. When Lincoln had the painting exhibited to the public in the East Room of the White House, Carpenter noted that the exhibition was thronged with visitors. Carpenter campaigned for Congress to purchase the painting, enlisting the help of fellow Homer native William O. Stoddard, Lincoln's private secretary. Congress did not appropriate the money. The painting remained in Carpenter's possession until 1877, when he arranged for Elizabeth Thompson to purchase it for $25,000 and donate it to Congress. A joint session of Congress was held in 1878, on Lincoln's birthday, to serve as a reception for the painting, with the artist present. Following Lincoln's assassination, Carpenter produced many portraits of Lincoln and his family; some based on memory, others on photographs provided by Lincoln's widow. Carpenter's skills were in decline by this time. One admirer of Carpenter's early work even wondered if a later portrait of Lincoln was a forgery.