Milton Avery. Milton Clark Avery was an American modern painter.
Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. The son of a tanner, Avery began working at a local factory at the age of 16 and supported himself for decades with a succession of blue-collar jobs.
The death of his brother-in-law in 1915 left Avery, as the sole remaining adult male in his household, responsible for the support of nine female relatives. His interest in art led him to attend classes at the Connecticut League of Art Students in Hartford, and over a period of years, he painted in obscurity while receiving a conservative art education.
In 1917, he began working night jobs in order to paint in the daytime. In 1924, he met Sally Michel, a young art student, and in 1926, they married.
Her income as an illustrator enabled him to devote himself more fully to painting. The two had a daughter, March Avery, in 1932. For several years in the late 1920s through the late 1930s, Avery practiced painting and drawing at the Art Students League of New York. Roy Neuberger saw his work and thought he deserved recognition. Determined to get the world to know and respect Avery's work, Neuberger bought over 100 of his paintings, starting with Gaspe Landscape, and lent or donated them to museums all over the world. With Avery's work rotating through high-profile museums, he came to be a highly respe
Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. The son of a tanner, Avery began working at a local factory at the age of 16 and supported himself for decades with a succession of blue-collar jobs.
The death of his brother-in-law in 1915 left Avery, as the sole remaining adult male in his household, responsible for the support of nine female relatives. His interest in art led him to attend classes at the Connecticut League of Art Students in Hartford, and over a period of years, he painted in obscurity while receiving a conservative art education.
In 1917, he began working night jobs in order to paint in the daytime. In 1924, he met Sally Michel, a young art student, and in 1926, they married.
Her income as an illustrator enabled him to devote himself more fully to painting. The two had a daughter, March Avery, in 1932. For several years in the late 1920s through the late 1930s, Avery practiced painting and drawing at the Art Students League of New York. Roy Neuberger saw his work and thought he deserved recognition. Determined to get the world to know and respect Avery's work, Neuberger bought over 100 of his paintings, starting with Gaspe Landscape, and lent or donated them to museums all over the world. With Avery's work rotating through high-profile museums, he came to be a highly respe
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