Electra. Electra is one of the most popular mythological characters in tragedies. She is the main character in two Greek tragedies, Electra by Sophocles and Electra by Euripides. She is also the central figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal, and Eugene O'Neill. Her characteristic can be stated as a vengeful soul in The Libation Bearers, the second play of Aeschylus' Oresteia trilogy, because she plans out an attack with her brother to kill their mother, Clytemnestra. In psychology, the Electra complex is named after her. Electra's parents were King Agamemnon and Queen Clytemnestra. Her sisters were Iphigeneia and Chrysothemis, and her brother was Orestes. In the Iliad, Homer is understood to be referring to Electra in mentioning Laodice as a daughter of Agamemnon. Electra was absent from Mycenae when her father, King Agamemnon, returned from the Trojan War. When he came back, he brought with him his war prize, the Trojan princess Cassandra, who had already borne him twin sons. Upon their arrival, Agamemnon and Cassandra were murdered, by either Clytemnestra herself, her lover Aegisthus or both. Clytemnestra had held a grudge against her husband for agreeing to sacrifice their eldest daughter, Iphigenia, to Artemis so he could send his ships to fight in the Trojan war. In some versions of this story, Iphigenia was saved by the goddess at the last moment. Eight years later, Electra returned home from Athens at the same time as her brother, Orestes. According to Pindar, Orestes was saved either by his old nurse or by Electra, and was taken to Phanote on Mount Parnassus, where King Strophius took charge of him. When Orestes was twenty, the Oracle of Delphi ordered him to return home and avenge his father's death. According to Aeschylus, Orestes saw Electra's face before the tomb of Agamemnon, where both had gone to perform rites to the dead where a recognition occurred, and they arranged how Orestes should accomplish his revenge. Orestes and his friend Pylades, son of King Strophius of Phocis and Anaxibia, killed Clytemnestra and Aegisthus. Before her death, Clytemnestra cursed Orestes. The Erinyes or Furies, whose duty it is to punish any violation of the ties of family piety, fulfill this curse with their torment. They pursue Orestes, urging him to end his life. Electra was not hounded by the Erinyes. In Iphigeneia in Tauris, Euripides tells the tale somewhat differently. In his version, Orestes was led by the Furies to Tauris on the Black Sea, where his sister Iphigenia was being held. The two met when Orestes and Pylades were brought to Iphigenia to be prepared for sacrifice to Artemis. Iphigeneia, Orestes, and Pylades escaped from Tauris. The Furies, appeased by the reunion of the family, abated their persecution. Electra then married Pylades. The Oresteia, a trilogy of plays by Aeschylus. Electra, play by Sophocles. Electra, play by Euripides. Orestes, play by Euripides. Electra, a lost play by Quintus Tullius Cicero of which nothing is known but the name and that it was a tragedy in the Greek style. Electra a play by Benito Perez Galdes. Elektra, a 1903 play by Hugo von Hofmannsthal, based on the Sophocles play. Mourning Becomes Electra, 1931 play by Eugene O'Neill, based on Aeschylus. Electra, 1937 play by Jean Giraudoux. The Flies, a 1943 play by Jean-Paul Sartre, modernizing the Electra myth by introducing the theme of existentialism. Electra, a play by Ezra Pound and Rudd Fleming. Electra, or The dropping of the masks a play by Marguerite Yourcenar. Electra and Orestes, plays by Adrienne Kennedy, 1972. Electra a play by Robert Montgomery, directed by Joseph Chaikin. Electra, 1995 drama by Danilo Kiš. Electricidad, 2004 play by Luis Alfaro, modern adaptation of Electra based in the Chicano barrio. Electra/Orestes, 2015 play by Jada Alberts and Anne-Louise Sarks. Small and Tired, 2017 play by Kit Brookman. Elektra, by Richard Strauss, with libretto by Hugo von Hofmannsthal, based on his own play. Electra, by Mikis Theodorakis. Mourning Becomes Electra, by Marvin David Levy, based on Eugene O'Neill's play. Idomeneo, by Wolfgang Amadeus Mozart, where she plays the role of rejected lover/villain. Electra, opera by Johann Christian Friedrich Haeffner, Libretto by Adolf Fredrik Ristell after Nicolas Francois Guillard. Electra, a film by Michael Cacoyannis, starring Irene Papas, based on Euripides. Mourning Becomes Electra, a film by Dudley Nichols, starring Rosalind Russell and Michael Redgrave.