Francesco Primaticcio. Francesco Primaticcio was an Italian Mannerist painter, architect and sculptor who spent most of his career in France.
Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau spending much of his life there.
Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, sometimes, engravings.
Francis I trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545. In Rome, part of Primaticcio's commission was to take casts of the best Roman sculptures in the papal collections, some of which were cast in bronze to decorate the parterres at Fontainebleau.
Primaticcio retained his position as court painter to Francis' heirs, Henry II and Francis II. His masterpiece, the Salle d'Hercule at Fontainebleau, occupied him and his team from the 1530s to 1559. Primaticcio's crow
Born in Bologna, he trained under Giulio Romano in Mantua and became a pupil of Innocenzo da Imola, executing decorations at the Palazzo Te before securing a position in the court of Francis I of France in 1532. Together with Rosso Fiorentino he was one of the leading artists to work at the Chateau Fontainebleau spending much of his life there.
Following Rosso's death in 1540, Primaticcio took control of the artistic direction at Fontainebleau, furnishing the painters and stuccators of his team, such as Nicolò dell'Abate, with designs. He made cartoons for tapestry-weavers and, like all 16th-century court artists, was called upon to design elaborate ephemeral decorations for masques and fêtes, which survive only in preparatory drawings and, sometimes, engravings.
Francis I trusted his eye and sent him back to Italy on buying trips in 1540 and again in 1545. In Rome, part of Primaticcio's commission was to take casts of the best Roman sculptures in the papal collections, some of which were cast in bronze to decorate the parterres at Fontainebleau.
Primaticcio retained his position as court painter to Francis' heirs, Henry II and Francis II. His masterpiece, the Salle d'Hercule at Fontainebleau, occupied him and his team from the 1530s to 1559. Primaticcio's crow
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