Alfred Kubin. Alfred Leopold Isidor Kubin was an Austrian printmaker, illustrator, and occasional writer.
Kubin is considered an important representative of Symbolism and Expressionism. Kubin was born in Bohemia in the town of Leitmeritz, Austro-Hungarian Empire.
From 1892 to 1896, he was apprenticed to the landscape photographer Alois Beer, although he learned little. In 1896, he attempted suicide on his mother's grave, and his short stint in the Austrian army the following year ended with a nervous breakdown.
In 1898, Kubin began a period of artistic study at a private academy run by the painter Ludwig Schmitt-Reutte, before enrolling at the Munich Academy in 1899, without finishing his studies there. In Munich, Kubin discovered the works of Odilon Redon, Edvard Munch, James Ensor, Henry de Groux, and Félicien Rops.
He was profoundly affected by the prints of Max Klinger, and later recounted: Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling. Before putting the engravings away I swore that I would dedicate my life to the creation of similar works. The aquatint technique used by Klinger and Goya influenced the style of his works of this period, which are mainly ink and wash drawings of fantastical, often macabre subjects. Kubin produced a small number of oil paintings in the years between 1902 and 1910, but the
Kubin is considered an important representative of Symbolism and Expressionism. Kubin was born in Bohemia in the town of Leitmeritz, Austro-Hungarian Empire.
From 1892 to 1896, he was apprenticed to the landscape photographer Alois Beer, although he learned little. In 1896, he attempted suicide on his mother's grave, and his short stint in the Austrian army the following year ended with a nervous breakdown.
In 1898, Kubin began a period of artistic study at a private academy run by the painter Ludwig Schmitt-Reutte, before enrolling at the Munich Academy in 1899, without finishing his studies there. In Munich, Kubin discovered the works of Odilon Redon, Edvard Munch, James Ensor, Henry de Groux, and Félicien Rops.
He was profoundly affected by the prints of Max Klinger, and later recounted: Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling. Before putting the engravings away I swore that I would dedicate my life to the creation of similar works. The aquatint technique used by Klinger and Goya influenced the style of his works of this period, which are mainly ink and wash drawings of fantastical, often macabre subjects. Kubin produced a small number of oil paintings in the years between 1902 and 1910, but the
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