Altes Museum, Berlin. The Altes Museum is a museum building on Museum Island in Berlin, Germany.
Since restoration work in 2010-11, it houses the Antikensammlung of the Berlin State Museums. The museum building was built between 1823 and 1830 by the architect Karl Friedrich Schinkel in the neoclassical style to house the Prussian royal family's art collection.
The historic, protected building counts among the most distinguished in neoclassicism and is a high point of Schinkel's career. Until 1845, it was called the Königliches Museum.
Along with the other museums and historic buildings on Museum Island, the Altes Museum was designated a UNESCO World Heritage Site in 1999. In the early nineteenth century, Germany's bourgeoisie had become increasingly self-aware and self-confident.
This growing class began to embrace new ideas regarding the relationship between itself and art, and the concepts that art should be open to the public and that citizens should be able to have access to a comprehensive cultural education began to pervade society. King Friedrich Wilhelm III of Prussia was a strong proponent of this humboldtian ideal for education and charged Karl Friedrich Schinkel with planning a public museum for the royal art collection. Schinkel's plans for the Königliches Museum, as it was then known, were also influenced by drafts of the crown prince, later King Friedrich Wilhelm IV, who desired a buil
Since restoration work in 2010-11, it houses the Antikensammlung of the Berlin State Museums. The museum building was built between 1823 and 1830 by the architect Karl Friedrich Schinkel in the neoclassical style to house the Prussian royal family's art collection.
The historic, protected building counts among the most distinguished in neoclassicism and is a high point of Schinkel's career. Until 1845, it was called the Königliches Museum.
Along with the other museums and historic buildings on Museum Island, the Altes Museum was designated a UNESCO World Heritage Site in 1999. In the early nineteenth century, Germany's bourgeoisie had become increasingly self-aware and self-confident.
This growing class began to embrace new ideas regarding the relationship between itself and art, and the concepts that art should be open to the public and that citizens should be able to have access to a comprehensive cultural education began to pervade society. King Friedrich Wilhelm III of Prussia was a strong proponent of this humboldtian ideal for education and charged Karl Friedrich Schinkel with planning a public museum for the royal art collection. Schinkel's plans for the Königliches Museum, as it was then known, were also influenced by drafts of the crown prince, later King Friedrich Wilhelm IV, who desired a buil
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