Francois Clouet. François Clouet, son of Jean Clouet, was a French Renaissance miniaturist and painter, particularly known for his detailed portraits of the French ruling family.
François Clouet was born in Tours, as the son of the court painter Jean Clouet. Jean Clouet was a native of the Southern Netherlands and probably from the Brussels area.
François Clouet studied under his father. He inherited his father's nickname Janet' and is referred to as such in some early sources and the older literature.
The earliest reference to François Clouet is a document dated December 1541 in which the king renounces for the benefit of François his father's estate, which had escheated to the crown as the estate of a foreigner. In this document, the younger Clouet is said to have followed his father very closely in his art.
Like his father, he held the office of groom of the chamber and painter in ordinary to the king, and so far as salary is concerned, he started where his father left off. Many drawings are attributed to this artist, often without perfect certainty. There is, however, more to go upon than there is in the case of his father. As the praises of François Clouet were sung by the writers of the day, his name was carefully preserved from reign to reign, and there is an ancient and unbroken tradition in the attribution of many of his pictures. There are not, however, any original attestations of hi
François Clouet was born in Tours, as the son of the court painter Jean Clouet. Jean Clouet was a native of the Southern Netherlands and probably from the Brussels area.
François Clouet studied under his father. He inherited his father's nickname Janet' and is referred to as such in some early sources and the older literature.
The earliest reference to François Clouet is a document dated December 1541 in which the king renounces for the benefit of François his father's estate, which had escheated to the crown as the estate of a foreigner. In this document, the younger Clouet is said to have followed his father very closely in his art.
Like his father, he held the office of groom of the chamber and painter in ordinary to the king, and so far as salary is concerned, he started where his father left off. Many drawings are attributed to this artist, often without perfect certainty. There is, however, more to go upon than there is in the case of his father. As the praises of François Clouet were sung by the writers of the day, his name was carefully preserved from reign to reign, and there is an ancient and unbroken tradition in the attribution of many of his pictures. There are not, however, any original attestations of hi
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