Hendrick de Clerck. Hendrick de Clerck was a Flemish painter active in Brussels during the late sixteenth and early seventeenth centuries.
Stylistically he belongs to the late Mannerist generation of artists preceding Peter Paul Rubens and the Flemish Baroque, and his paintings are very similar to his contemporary Marten de Vos. His exact date of birth is unknown, but in 1594 he is employed as court painter to Archduke Ernest, a position he continued to hold in the service of the Archdukes Albert and Isabella following Ernest's death in 1596.
Like Marten de Vos in Antwerp De Clerck was responsible for painting new altarpieces for churches in Brussels following the iconoclastic outbreaks of 1566, for which he used the clear visual language common in post-Tridentine Counter-Reformation art. Despite continuing to work through the early decades of the seventeenth-century, when the Baroque language was in full bloom, late works such as the Deposition for St. Peter's in Anderlecht are still decidedly Mannerist.
His somewhat outmoded tendencies are also reflected in his frequent use of the triptych format that had been popular with late Medieval and northern Renaissance artists. De Clerck also specialized in small cabinet paintings depicting biblical, allegorical and mythological subjects, which were collected by Brussels' aristocratic patrons.
Frequently he painted the figures, while collaborating with
Stylistically he belongs to the late Mannerist generation of artists preceding Peter Paul Rubens and the Flemish Baroque, and his paintings are very similar to his contemporary Marten de Vos. His exact date of birth is unknown, but in 1594 he is employed as court painter to Archduke Ernest, a position he continued to hold in the service of the Archdukes Albert and Isabella following Ernest's death in 1596.
Like Marten de Vos in Antwerp De Clerck was responsible for painting new altarpieces for churches in Brussels following the iconoclastic outbreaks of 1566, for which he used the clear visual language common in post-Tridentine Counter-Reformation art. Despite continuing to work through the early decades of the seventeenth-century, when the Baroque language was in full bloom, late works such as the Deposition for St. Peter's in Anderlecht are still decidedly Mannerist.
His somewhat outmoded tendencies are also reflected in his frequent use of the triptych format that had been popular with late Medieval and northern Renaissance artists. De Clerck also specialized in small cabinet paintings depicting biblical, allegorical and mythological subjects, which were collected by Brussels' aristocratic patrons.
Frequently he painted the figures, while collaborating with
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