Pseudo-Pier Francesco Fiorentino. Bernard Berenson had attributed to Pier Francesco Fiorentino a group of works that Frederick Mason Perkins, in 1928, preferred to place under the name Pseudo Pier Francesco Fiorentino for an artist working in a workshop in Florence in the middle of the Quattrocento and producing copies of altarpieces, mainly of works by Filippo Lippi and Pesellino.
Berenson then accepted this correction. Thus Medici-Riccardi Palace, in the famous Chapel of the Magi by Benozzo Gozzoli: on the altar, in place of the Adoration of Fra Filippo Lippi now preserved in Berlin, is an ancient executed copy of the Pseudo Pier Francesco Fiorentino.
Berenson then accepted this correction. Thus Medici-Riccardi Palace, in the famous Chapel of the Magi by Benozzo Gozzoli: on the altar, in place of the Adoration of Fra Filippo Lippi now preserved in Berlin, is an ancient executed copy of the Pseudo Pier Francesco Fiorentino.
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