Pseudo-Pier Francesco Fiorentino (c1440 - 1500). Bernard Berenson had attributed to Pier Francesco Fiorentino a group of works that Frederick Mason Perkins, in 1928, preferred to place under the name Pseudo Pier Francesco Fiorentino for an artist working in a workshop in Florence in the middle of the Quattrocento and producing copies of altarpieces, mainly of works by Filippo Lippi and Pesellino. Berenson then accepted this correction. Thus Medici-Riccardi Palace, in the famous Chapel of the Magi by Benozzo Gozzoli: on the altar, in place of the Adoration of Fra Filippo Lippi now preserved in Berlin, is an ancient executed copy of the Pseudo Pier Francesco Fiorentino.