Dove. Doves, usually white in color, are used in many settings as symbols of love, peace or as messengers.
Doves appear in the symbolism of Judaism, Christianity, Islam and Paganism, and of both military and pacifist groups. In ancient Mesopotamia, doves were prominent animal symbols of Inanna-Ishtar, the goddess of love, sexuality, and war.
Doves are shown on cultic objects associated with Inanna as early as the beginning of the third millennium BC. Lead dove figurines were discovered in the temple of Ishtar at Aššur, dating to the thirteenth century BC, and a painted fresco from Mari, Syria shows a giant dove emerging from a palm tree in the temple of Ishtar, indicating that the goddess herself was sometimes believed to take the form of a dove. In the Epic of Gilgamesh, Utnapishtim releases a dove and a raven to find land; the dove merely circles and returns.
Only then does Utnapishtim send forth the raven, which does not return, and Utnapishtim concludes the raven has found land. In the ancient Levant, doves were used as symbols for the Canaanite mother goddess Asherah.
In classical antiquity, doves were sacred to the Greek goddess Aphrodite, who absorbed this association with doves from Inanna-Ishtar. Aphrodite frequently appears with doves in ancient Greek pottery. The temple of Aphrodite Pandemos on the southwest slope of the Athenian Acropolis was decorated with relief sculp
Doves appear in the symbolism of Judaism, Christianity, Islam and Paganism, and of both military and pacifist groups. In ancient Mesopotamia, doves were prominent animal symbols of Inanna-Ishtar, the goddess of love, sexuality, and war.
Doves are shown on cultic objects associated with Inanna as early as the beginning of the third millennium BC. Lead dove figurines were discovered in the temple of Ishtar at Aššur, dating to the thirteenth century BC, and a painted fresco from Mari, Syria shows a giant dove emerging from a palm tree in the temple of Ishtar, indicating that the goddess herself was sometimes believed to take the form of a dove. In the Epic of Gilgamesh, Utnapishtim releases a dove and a raven to find land; the dove merely circles and returns.
Only then does Utnapishtim send forth the raven, which does not return, and Utnapishtim concludes the raven has found land. In the ancient Levant, doves were used as symbols for the Canaanite mother goddess Asherah.
In classical antiquity, doves were sacred to the Greek goddess Aphrodite, who absorbed this association with doves from Inanna-Ishtar. Aphrodite frequently appears with doves in ancient Greek pottery. The temple of Aphrodite Pandemos on the southwest slope of the Athenian Acropolis was decorated with relief sculp
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