Precisionism Painting. Precisionism was the first indigenous modern art movement in the United States and an early American contribution to the rise of Modernism.
The Precisionist style, which first emerged after World War I and was at the height of its popularity during the 1920s and early 1930s, celebrated the new American landscape of skyscrapers, bridges, and factories in a form that has also been called Cubist-Realism. The term Precisionism was first coined in the mid-1920s, possibly by Museum of Modern Art director Alfred H. Barr although according to Amy Dempsey the term Precisionism was coined by Charles Sheeler.
Painters working in this style were also known as the Immaculates, which was the more commonly used term at the time. The stiffness of both art-historical labels suggests the difficulties contemporary critics had in attempting to characterize these artists.
Influenced by Cubism and Futurism, Precisionism took for its main themes industrialisation and the modernization of the American landscape, the structures of which were depicted in precise, sharply defined geometrical forms. Precisionist artists considered themselves strictly American and some were reluctant to acknowledge their European artistic influences.
Yet it was readily apparent at the time that the fracturing of planes in many Precisionist paintings originates in the Cubism of Picasso and Leger; similarly, Precisionist ren
The Precisionist style, which first emerged after World War I and was at the height of its popularity during the 1920s and early 1930s, celebrated the new American landscape of skyscrapers, bridges, and factories in a form that has also been called Cubist-Realism. The term Precisionism was first coined in the mid-1920s, possibly by Museum of Modern Art director Alfred H. Barr although according to Amy Dempsey the term Precisionism was coined by Charles Sheeler.
Painters working in this style were also known as the Immaculates, which was the more commonly used term at the time. The stiffness of both art-historical labels suggests the difficulties contemporary critics had in attempting to characterize these artists.
Influenced by Cubism and Futurism, Precisionism took for its main themes industrialisation and the modernization of the American landscape, the structures of which were depicted in precise, sharply defined geometrical forms. Precisionist artists considered themselves strictly American and some were reluctant to acknowledge their European artistic influences.
Yet it was readily apparent at the time that the fracturing of planes in many Precisionist paintings originates in the Cubism of Picasso and Leger; similarly, Precisionist ren
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