Vincenzo Camuccini. Vincenzo Camuccini was an Italian painter of Neoclassic histories and religious paintings.
He was considered the premier academic painter of his time in Rome. Camuccini was born in Rome, and first educated by his brother Pietro, a picture-restorer, and Pietro Leone Bombelli, an engraver.
His brother Pietro gave up his place in the studio of Domenico Corvi to Vincenzo. Until nearly the age of 30 he mainly dedicated himself to copying old masters.
As an original painter, Camuccini belongs to the Neoclassicist school fostered in Rome by Anton Raphael Mengs. Camuccini's first major independent work, completed around 1798, was a large canvas of the Death of Caesar.
This led to the assessment that Camuccini may have been influenced by Jacques-Louis David's classic Roman themes and style; but it is more likely both were emerging from the rising Neoclassic refocus towards images of and derived from Greco-Roman themes. In 1800, he was commissioned an Incredulity of St. Thomas by the Vatican. In 1806, Gaspare Landi received a commission for two large canvases for the chapel of the Madonna of the Rosary in the church of San Giovanni in Piacenza. Ultimately, the commission was split with Camuccini who painted a Presentation in the Temple. The canvases by the two artists were completed in the early spring of 1806, and were exhibited side by side at the Pantheon at Easter of that year. A few
He was considered the premier academic painter of his time in Rome. Camuccini was born in Rome, and first educated by his brother Pietro, a picture-restorer, and Pietro Leone Bombelli, an engraver.
His brother Pietro gave up his place in the studio of Domenico Corvi to Vincenzo. Until nearly the age of 30 he mainly dedicated himself to copying old masters.
As an original painter, Camuccini belongs to the Neoclassicist school fostered in Rome by Anton Raphael Mengs. Camuccini's first major independent work, completed around 1798, was a large canvas of the Death of Caesar.
This led to the assessment that Camuccini may have been influenced by Jacques-Louis David's classic Roman themes and style; but it is more likely both were emerging from the rising Neoclassic refocus towards images of and derived from Greco-Roman themes. In 1800, he was commissioned an Incredulity of St. Thomas by the Vatican. In 1806, Gaspare Landi received a commission for two large canvases for the chapel of the Madonna of the Rosary in the church of San Giovanni in Piacenza. Ultimately, the commission was split with Camuccini who painted a Presentation in the Temple. The canvases by the two artists were completed in the early spring of 1806, and were exhibited side by side at the Pantheon at Easter of that year. A few
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