Antonio del Pollaiuolo. Antonio del Pollaiuolo, also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo, was an Italian painter, sculptor, engraver and goldsmith during the Italian Renaissance.
He was born in Florence. His brother, Piero, was also an artist, and the two frequently worked together.
Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry.
Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florence workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training.
During this time, he also took an interest in engraving. Some of Pollaiuolo's painting exhibits strong brutality, of which the characteristics can be studied in his portrayal of Saint Sebastian, painted in 1473-1475 for the Pucci Chapel of the SS. Annunziata of Florence. However, in contrast, his female portraits exhibit a calmness and a meticulous attention to detail of fashion, as was the norm in late 15th century portraiture. He achieved his greatest successes as a sculptor and metal-worker. The exact ascription of his works is doubtful, as his brother Pier
He was born in Florence. His brother, Piero, was also an artist, and the two frequently worked together.
Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry.
Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florence workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training.
During this time, he also took an interest in engraving. Some of Pollaiuolo's painting exhibits strong brutality, of which the characteristics can be studied in his portrayal of Saint Sebastian, painted in 1473-1475 for the Pucci Chapel of the SS. Annunziata of Florence. However, in contrast, his female portraits exhibit a calmness and a meticulous attention to detail of fashion, as was the norm in late 15th century portraiture. He achieved his greatest successes as a sculptor and metal-worker. The exact ascription of his works is doubtful, as his brother Pier
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