Emile Carolus-Duran. Charles Auguste Émile Durand, known as Carolus-Duran, was a French painter and art instructor.
He is noted for his stylish depictions of members of high society in Third Republic France. He was the son of a hotel owner.
His first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré at the Académie de Lille; then took up painting with François Souchon, a student of Jacques Louis David. He went to Paris in 1853, where he adopted the name Carolus-Duran.
In 1859, he had his first exhibition at the Salon. That same year, he began attending the Académie Suisse, where he studied until 1861.
One of his early influences was the Realism of Gustave Courbet. From 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. During that time, he moved away from Courbet's style and became more interested in Diego Vélazquez. Upon returning to France, he was awarded his first gold medal at the Salon. In 1867, he became one of the nine members of the Société Japonaise du Jinglar; a group that included Henri Fantin-Latour, Félix Bracquemond and Marc-Louis Solon. They would meet once a month in Sèvres for a dinner à la Japonaise. He married Pauline Croizette, a pastellist and miniaturist who had posed for his painting The Lady in Gloves in 1869. They had three children. Their eldest daughter, Marie-Anne, married the playwright Georges
He is noted for his stylish depictions of members of high society in Third Republic France. He was the son of a hotel owner.
His first drawing lessons were with a local sculptor named Augustin-Phidias Cadet de Beaupré at the Académie de Lille; then took up painting with François Souchon, a student of Jacques Louis David. He went to Paris in 1853, where he adopted the name Carolus-Duran.
In 1859, he had his first exhibition at the Salon. That same year, he began attending the Académie Suisse, where he studied until 1861.
One of his early influences was the Realism of Gustave Courbet. From 1862 to 1866, he travelled to Rome and Spain, thanks to a scholarship granted by his hometown. During that time, he moved away from Courbet's style and became more interested in Diego Vélazquez. Upon returning to France, he was awarded his first gold medal at the Salon. In 1867, he became one of the nine members of the Société Japonaise du Jinglar; a group that included Henri Fantin-Latour, Félix Bracquemond and Marc-Louis Solon. They would meet once a month in Sèvres for a dinner à la Japonaise. He married Pauline Croizette, a pastellist and miniaturist who had posed for his painting The Lady in Gloves in 1869. They had three children. Their eldest daughter, Marie-Anne, married the playwright Georges
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