Mariotto Albertinelli. Mariotto di Bigio di Bindo Albertinelli was an Italian Renaissance painter of the Florentine school.
He was a close friend and collaborator of Fra Bartolomeo and their joint works appear as if they have been painted by one hand. His work shows the influence of Perugino, Piero di Cosimo and Lorenzo di Credi as well as of Flemish painting.
Some of Albertinelli's works reveal an eccentrically archaic tendency while others show a return to conventions of the early Renaissance. Mariotto Albertinelli was born in Florence as the son of a gold beater.
He was an only child and his mother died when he was just five years old. He was himself trained as a gold beater until the age of 12 when he became a pupil of Cosimo Rosselli and a fellow-pupil with Fra Bartolomeo.
The two pupils formed such a close friendship that in 1494 they started a joint studio in Florence. After a while Albertinelli had mastered Fra Bartolomeo's technique to such extent that he could paint in a style that blended with that of his partner. The closeness in style was such that for many years some doubts remained over who had painted certain works. For example, the Kress tondo, now in the Columbia Museum of Art was previously attributed to Fra Bartolomeo but is now thought to be the work of Albertinelli using the former's cartoon. According to the early Italian biographer Vasari, Albertinelli was in the beginning of
He was a close friend and collaborator of Fra Bartolomeo and their joint works appear as if they have been painted by one hand. His work shows the influence of Perugino, Piero di Cosimo and Lorenzo di Credi as well as of Flemish painting.
Some of Albertinelli's works reveal an eccentrically archaic tendency while others show a return to conventions of the early Renaissance. Mariotto Albertinelli was born in Florence as the son of a gold beater.
He was an only child and his mother died when he was just five years old. He was himself trained as a gold beater until the age of 12 when he became a pupil of Cosimo Rosselli and a fellow-pupil with Fra Bartolomeo.
The two pupils formed such a close friendship that in 1494 they started a joint studio in Florence. After a while Albertinelli had mastered Fra Bartolomeo's technique to such extent that he could paint in a style that blended with that of his partner. The closeness in style was such that for many years some doubts remained over who had painted certain works. For example, the Kress tondo, now in the Columbia Museum of Art was previously attributed to Fra Bartolomeo but is now thought to be the work of Albertinelli using the former's cartoon. According to the early Italian biographer Vasari, Albertinelli was in the beginning of
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